The Fortunes of Oliver HornSmith, Francis Hopkinson
General
The Fortunes of Oliver Horn
Smith, Francis Hopkinson
Baltimore (Md.) -- Fiction; Bildungsromans; New York (N.Y.) -- Fiction; Painters -- Fiction; Young men -- Fiction
"Think of that young fellow," he kept repeating to himself. "The eldest
son and heir to the estate no doubt, a college-bred man and a most
charming gentleman, working like a common laborer in his father's
field. And proud of it, too--and would do it again and talk about it.
And yet I was so ashamed of working with my hands that I had to run
away from home for fear the boys would laugh at me."
Margaret heard the whole story from Oliver's lips the next morning with
many adornments, and with any amount of good resolutions for the
future. She listened quietly and held his hand the closer, her eyes
dancing in triumph, the color mounting to her cheeks, but she made no
reply.
Neither did she return the confidence and tell Oliver how she wished
her father could see some things in as clear a light, and be more
gentle and less opinionated. She was too proud for that.
And so the days, crowded thick with emotions, sped on.
The evening of their first one came and passed, with its half-hours
when neither spoke a word and when both trembled all over for the very
joy of living; and the morning of the second arrived, bringing with it
a happiness she had never known before, and then the morning of the
third--and the last day.
They had kept their secret even from John. Oliver wanted to inform her
father at once of his attachment, telling her it was not right for him
to accept the hospitality of her parents unless they understood the
whole situation, but she begged him to wait, and he had yielded to her
wishes.
They had all discussed him at their pleasure.
"Nice chap that young Horn," John had said to her the night before. "We
had three or four of 'em in my class, one from Georgia and two from
Alabama. They'd fight in a minute, but they'd make up just as quick.
This one's the best of the lot." He spoke as if they had all belonged
to another race--denizens of Borneo or Madagascar or the islands of the
Pacific.
"I have sent my love to his mother, my dear," Mrs. Grant had confided
to her early that same morning. "I am sure he has a good mother. He is
so kind and polite to me, he never lets me remember that I am deaf when
I talk to him," and she looked about her in her simple, patient way.
"Yes--perhaps so," said Silas, sitting hunched up in his chair. "Seems
sort of skippy-like to me. Something of a Dandy Jim, I should say. Good
enough to make men painters of, I guess." Artists in those days had few
friends North or South.
None of these criticisms affected Margaret. She didn't care what they
thought of him. She knew his heart, and so would they in time.
When Oliver had said all his public good-byes to the rest of the
family--the good-byes with which we have nothing to do had been given
and taken in the studio with the curtains drawn--he joined Margaret at
the gate.
Public-domain text, read in full here on John Shaqi.
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