The Fortunes of Oliver HornSmith, Francis Hopkinson
General
The Fortunes of Oliver Horn
Smith, Francis Hopkinson
Baltimore (Md.) -- Fiction; Bildungsromans; New York (N.Y.) -- Fiction; Painters -- Fiction; Young men -- Fiction
Within the hour Oliver had turned his back on his home and all that he
loved.
CHAPTER XIX
THE SETTLING OF THE SHADOW
The bruised crocuses never again lifted their heads in Kennedy Square.
With the settling of the shadow--a shadow black with hate--men forgot
the perfume of flowers, the rest and cool of shady nooks, the kindling
touch of warm hands, and stood apart with eyes askance; women shuddered
and grew pale, and sad-faced children peered out through closed blinds.
Within the Square itself, along paths that had once echoed to the tread
of slippered feet, armed sentries paced, their sharp challenges
breaking the stillness of the night. Outside its wrecked fences strange
men in stranger uniforms strode in and out of the joyless houses; tired
pickets stacked their arias on the unswept piazzas, and panting horses
nibbled the bark from the withered trees; rank weeds choked the
gardens; dishevelled vines clung to the porches, and doors that had
always swung wide to the gentle tap of loving fingers were opened
timidly to the blow of the sword-hilt.
Kennedy Square became a tradition.
Some civilizations die slowly. This one was shattered in a day by a
paving-stone in the hands of a thug.
CHAPTER XX
THE STONE MUGS
Frederick Stone, N.A., member of the Stone Mugs, late war correspondent
and special artist on the spot, paused before the cheerful blaze of his
studio fire, shaking the wet snow from his feet. He had tramped across
Washington Square in drifts that were over his shoe-tops, mounted the
three flights of steps to his cosey rooms, and was at the moment
expressing his views on the weather, in terms more forcible than
polite, to our very old friend, Jack Bedford, the famous
marine-painter. Bedford, on hearing the sound of Fred's footsteps, had
strolled in from his own studio, in the same building, and had thrown
himself into a big arm-chair, where he was sitting hunched up, his
knees almost touching his chin, his round head covered by a skull-cap
that showed above the chair-back.
"Nice weather for ducks, Jack, isn't it? Can't see how anybody can get
here to-night," cried Fred, striking the mantel with his wet cap, and
scattering the rain-drops over the hearth. "Just passed a Broadway
stage stuck in a hole as I came by the New York Hotel. Been there an
hour, they told me."
"Shouldn't wonder. Whose night is it, Fred?" asked Jack, stretching out
one leg in the direction of the cheery blaze.
"Horn's."
"What's he going to do?"
"Give it up. Ask me an easy one. Said he wanted a thirty by forty.
There it is on the easel," and Fred moved a chair out of his way, hung
his wet coat and hat on a peg behind the door, and started to clear up
a tangle of artillery harness that littered the floor.
Public-domain text, read in full here on John Shaqi.
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