The Fortunes of Oliver HornSmith, Francis Hopkinson
General
The Fortunes of Oliver Horn
Smith, Francis Hopkinson
Baltimore (Md.) -- Fiction; Bildungsromans; New York (N.Y.) -- Fiction; Painters -- Fiction; Young men -- Fiction
The refreshments having been made ready, Fred roamed about the rooms
straightening the pictures on the walls--an old fad of his when guests
of any kind were expected--punching the cushions and Turkish
saddle-bags into plumpness, that he had picked up in a flying trip
abroad the year the war was over, and stringing them along the divan
ready for the backs and legs of the club-members. Next he stripped the
piano of a collection of camp sketches that had littered it up for a
week, dumped the pile into a closet, and, with a sudden wrench of his
arms, whirled the instrument itself close against the wall. Then some
fire-arms, saddles, and artillery trappings were hidden away in dark
corners, and a lay figure, clothed in fatigue cap and blue overcoat,
and which had done duty as "a picket" during the day, was wheeled
around with its face to the wall, where it stood guard over Fred's
famous picture of "The Last Gun at Appomattox." His final touches were
bestowed on the grate-fire and the coal-scuttle, both of which were
replenished from a big pine box in the hall.
Jack Bedford, meanwhile, had busied himself rolling another table--a
long one--under the circle of gas-jets so that the men could see to
work the better, and loading it with palettes, china tiles, canvases,
etc., to be used by the members of the club in their work of the
evening. Last of all and not by any means the least important, Jack, by
the aid of a chair, gathered together, on the top shelf of the closet,
the unique collection of stone beer-mugs from which the club took its
name. These he handed down one by one to Fred, who arranged them in a
row on one end of the long table. The mugs were to hold the contents of
sundry bottles of beer, now safely stowed away in the lidless,
pigeon-holed box, standing in the hall, which Fred unloaded later,
placing the bottles on the window-sill outside to cool.
Before they had ended their preparations, the stamping of feet on the
stair was heard, the door was thrown back, and the several members of
the club began to arrive.
The great Waller came first, brushing the snow from his shaggy coat,
looking like a great bear, growling as he rolled in, as was his wont.
Close behind him, puffing with the run upstairs, and half-hidden behind
Waller's broad shoulders, trotted Simmons, the musician.
Public-domain text, read in full here on John Shaqi.
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