The Fortunes of Oliver HornSmith, Francis Hopkinson
General
The Fortunes of Oliver Horn
Smith, Francis Hopkinson
Baltimore (Md.) -- Fiction; Bildungsromans; New York (N.Y.) -- Fiction; Painters -- Fiction; Young men -- Fiction
As the dark background of greenish black, under the vigorous strokes of
his brush, began to relieve the flesh tones, and the coloring of the
lips and the japonica in the hair took their places in the
color-scheme, a murmur of applause ran through the room. No such piece
of night-work had ever been painted since the club had come together,
and certainly not before.
"A Fortuny, by thunder!" burst out Waller. He had been the first man to
recognize Oliver's talent in the old days and had always felt proud of
his foresight.
For two hours Oliver stood before his canvas, the Countess resting now
and then, floating over to the piano, as Simmons had done, running her
fingers over its keys, or breaking out into Polish, Hungarian, or
French songs at the pleasure of the room. During these rests Oliver
turned the picture to the wall. He did not wish her to see it until it
was finished. He was trying some brush tricks that Madge loved, some
that she had learned in Couture's atelier, and whose full effect could
only be recognized in the finished work.
When the last touches of Oliver's brush had been laid on the canvas,
and the modest signature, O. H., as was the custom, had been affixed to
its lower left-hand corner, he made a low salaam to the model and
whirled the easel in front of her.
The cry of delight that escaped her lips was not only an expression of
her pleasure, but it convinced every man in the club that the
Countess's technical knowledge of what constituted a work of art
equalled her many other accomplishments. She sat looking at it with
thoughtful, grave face, and her whole manner changed. She was no longer
the woman who had so charmed the room. She was the connoisseur, the
expert, the jury of last resort. Oliver watched her with absorbing
interest as he sat wiping his forehead with his handkerchief.
"Monsieur Horn," she said, slowly, as if weighing each word, "if you
come to my country they will cover you all over with medals. I had no
idea anyone in this new land could paint as you do. You are a master.
Permit me, Monsieur, to make you my obeisance--" and she dipped back on
one foot and swept the floor with her skirts.
Public-domain text, read in full here on John Shaqi.
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