The Fortunes of Oliver HornSmith, Francis Hopkinson
General
The Fortunes of Oliver Horn
Smith, Francis Hopkinson
Baltimore (Md.) -- Fiction; Bildungsromans; New York (N.Y.) -- Fiction; Painters -- Fiction; Young men -- Fiction
It is not to be wondered at, therefore, that the staid and sober-minded
Stone Mugs, under these conditions, completely lost their heads, and
that when Oliver picked up an empty beer-mug, the symbol of the club
used in all ceremonies, and began filling it with the names of the
members which he had written on slips of paper, preparatory to the
drawing of the lottery for the picture which he had just
finished--every meeting-night a lottery was drawn, the lucky winner
possessing the picture of the evening--Crug and Munson should have
simultaneously sprung to their feet, and, waving their hands over their
heads, have proposed, in one and the same breath, that "Our
distinguished visitor" should have the privilege of adding her own name
to those in Oliver's mug--the picture to be her own individual property
should her patronymic be the first to be drawn from its open mouth.
Waller started to his feet to object, and the words of protest were
half out of his mouth when Oliver stopped him. A woman was always a
woman to Oliver, no matter what her past or present station in life
might be. It was her sex that kept him loyal when any discourtesy was
involved.
"Keep still, old man," he whispered. "They've gone crazy, but we can't
help it. Get on your feet and vote."
When the sound of the "ayes" adopting Crug and Munson's motion had died
away, Oliver inscribed her initials upon a small piece of paper,
dropped it in the mug, held it high above the lady's head, and asked
her to reach up her dainty fingers and pick out the name of the lucky
possessor of "The Woman in Black," as the picture had now been
christened. The white arm went up, the jewelled fingers felt about
nervously among the little ballots, and then the Countess held up a
twisted bit of paper.
A burst of applause filled the room. The scrap of paper bore the
initials of the Countess! "The Woman in Black" was her property.
But the most extraordinary part by far of the evening's performance was
still to come.
When the hour of midnight had arrived--the hour of dispersal, a rule
rarely broken--the Countess called to Bianchi and directed him to go
out into the hall and bring in her long black stockings and stout
shoes, which she had taken off outside Fred's door, and which she had
left hanging on a nail.
Public-domain text, read in full here on John Shaqi.
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