The Fortunes of Oliver HornSmith, Francis Hopkinson
General
The Fortunes of Oliver Horn
Smith, Francis Hopkinson
Baltimore (Md.) -- Fiction; Bildungsromans; New York (N.Y.) -- Fiction; Painters -- Fiction; Young men -- Fiction
"Malachi and Hannah are well, but the old man seems quite feeble at
times.
"Your loving mother,
"Sallie T. Horn."
Dear lady, with your soft white hair and deep brown eyes that have so
often looked into mine! How dreary were those long days of hate and
misery! How wise and helpful you were to every living soul who sought
your aid, friend and foe alike. Your great heart sheltered and
comforted them all.
Oliver read the letter through and put his lips to the signature. In
all his life he had never failed to kiss his mother's name at the
bottom of her letters. The only difference was that now he kissed them
with an added reverence. The fact of his having proved himself right
and her wrong in the choice of his profession made loyalty with him the
more tender.
"Dear, dear mother!" he said to himself. "You have had so much trouble
lately, and you have been so plucky through it all." He stopped, looked
dreamily across the room, and added with a sigh: "But she has not said
one word about Madge; not one single word. She doesn't answer that part
of my letter; she doesn't intend to."
Then he opened the other communication which read:
"Dear Mr. Horn: Please call here in the morning. I have some good news
for you.
"John Snedecor."
Oliver turned the picture-dealer's letter over, peered into the
envelope as if he expected to find some trace of the good news tucked
away in its corners, lifted the tray holding his frugal breakfast, and
laid it on the floor outside his door ready for the janitor's morning
round. Then, picking up his hat, he locked his door, hung an "out card"
on the knob, and, strolling downstairs, stepped into the fresh morning
air. He knew the dealer well. He had placed two of old Mr. Crocker's
pictures with him--one of which had been sold.
When he reached Snedecor's gallery he found the big window surrounded
with a crowd gazing intently at an upright portrait in a glittering
gold frame, to which was affixed an imposing-looking name-plate bearing
the inscription:
"THE WOMAN IN BLACK,
BY OLIVER HORN"
So this was Snedecor's good news!
Oliver made his way through the crowd and into the open door of the
shop--the shop was, in front, the gallery in the rear--and found the
proprietor leaning over a case filled with artists' supplies.
"Has she had it FRAMED, Snedecor?" asked Oliver, with a light laugh.
"Not to any alarming extent! I made that frame for Mr. Peter Fish. She
sent it here for sale, and Fish bought it. He's wild about it. Says
it's the best thing since Sully. He wants you to paint his daughter;
that's what I wanted to see you about. Great card for you, Mr. Horn. I
congratulate you!"
Oliver gave a low whistle. His own good fortune was for the moment
forgotten in his surprise at the woman's audacity. Selling a sketch
painted by one of the club! one which had virtually been GIVEN to her.
"Poor Bianchi! He does pick up the queerest people. I wonder if she was
out of stockings," he said half-aloud.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account