The Fortunes of Oliver HornSmith, Francis Hopkinson
General
The Fortunes of Oliver Horn
Smith, Francis Hopkinson
Baltimore (Md.) -- Fiction; Bildungsromans; New York (N.Y.) -- Fiction; Painters -- Fiction; Young men -- Fiction
As Oliver, his eyes aglow, his whole heart filled with joy, stepped
quickly down the street the beauty of the day made him throw back his
shoulders and drink in long deep breaths, as if he would fill his very
pores with its vitality. These early spring days in New York--the most
beautiful the world over; not even in Italy can one find better
skies--always affected him in this way. There was a strength-giving
quality in the ozone, a brilliancy in the sunshine, and a tempered
coolness in the air to be found nowhere else. There was, too, a certain
picturesqueness in the sky-line of the houses--a sky-line fringed with
jets of white steam from the escape-pipes of numerous fires below,
which appealed to his artistic sense. These curling plumes that waved
so triumphantly in the sparkling morning light, or stirred by the wind,
flapped like milk-white signal flags, breaking at last into tatters and
shreds, blurring the edges of chimney and cornice, were a constant
source of delight to the young painter. He would often stop to watch
their movements, and as often determine to paint them at the first
opportunity. They seemed to express to him something of the happy
freedom of one released from pent-up toil; a freedom longed for in his
own heart, and which had rarely been his since those blessed days under
Moose Hillock, when he and Margaret roamed the woods together.
Still a third cause of rejoicing--and this sent a flutter around his
heart--was the near prospect of meeting his dear old father, whom he
had not seen for months; not since his last visit home, and whose long
years of struggle and waiting seemed now to be so nearly ended.
With these last joyous thoughts filling his mind, he stepped quickly
through the corridor of the hotel, approached the desk, and had just
given the names of his father and Nathan to the clerk, when a man
behind the counter interrupted him with:
"Just arrived. Got in this morning. There they are by the window."
Two quaint-looking old gentlemen were gazing out upon the rush of
Broadway--two old gentlemen so unusual that even the habitues of the
place, those who sat tilted back all day chipping the arms of their
chairs with their pen-knives, or sipping countless toddies and juleps,
were still staring at them in undisguised astonishment. One--it was
Nathan--wore a queer hat, bushy, white hair, and long, pen-wiper cloak:
it was the same cloak, or another just like it; the same, no doubt; few
new clothes had been bought during the war. And the other--and this was
his own dear father--wore a buff waistcoat, high white silk scarf, and
brown frock coat, with velvet collar. Neither of them were every-day
sights around the corridors of the New York Hotel: even among a
collection of human oddities representing every State in the South.
Public-domain text, read in full here on John Shaqi.
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