The Fortunes of Oliver HornSmith, Francis Hopkinson
General
The Fortunes of Oliver Horn
Smith, Francis Hopkinson
Baltimore (Md.) -- Fiction; Bildungsromans; New York (N.Y.) -- Fiction; Painters -- Fiction; Young men -- Fiction
At the end of this carpet opened a door that looked into a banquet hall
as rich in color and as sumptuous in its interior fittings as an
audience-chamber of the Doges at a time when Venice ruled the world.
The walls were draped with Venetian silks and Spanish velvets, against
which were placed Moorish plaques, Dutch brass sconces holding clusters
of candles, barbaric spears, bits of armor, pairs of fencing foils, old
cabinets, and low, luxurious divans. Thrust up into the skylight, its
gaff festooned with trawl-nets, drooped a huge sloop's sail, its
graceful folds breaking the square lines of the ceiling; and all about,
suspended on long filigree chains, swung old church-lamps of brass or
silver, burning ruby tapers.
In the centre of this glow of color stood a round table, its top
covered with a white cloth, and laid with covers for fifty guests. On
this were placed, in orderly confusion, great masses of flowers heard
up in rare porcelain vases; silver candelabra bearing lighted candles;
old Antwerp brass holding bon-bons and sweets; Venetian flagons filled
with rare wines; Chinese and Japanese curios doing service as
ash-receivers and match-safes; Delft platters for choice dishes;
besides Flemish mugs, Bavarian glasses, George III. silver, and the
like.
At the head of this sumptuous board was placed a chair of state,
upholstered in red velvet, studded with brass rosettes, the corners of
its high back surmounted by two upright gilt ornaments. This was to
hold the Master of the Feast, the presiding officer who was to govern
the merry spirits during the hours of the revel. In front of this royal
chair was a huge stone mug crowned with laurel. This was guarded by two
ebony figures, armed with drawn scimitars, which stood at each side of
the throne-seat. From these guards of honor radiated two half-circles
of lesser chairs, one for each guest--of all patterns and periods: old
Spanish altar-seats in velvet, Dutch chairs in leather, Italian chairs
in mother-of-pearl and ivory--all armless and quite low, so low that
the costumed slaves, who were to wait on the royal assembly, could
serve the courses without having to reach over the backs of the guests.
Public-domain text, read in full here on John Shaqi.
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