The Fortunes of Oliver HornSmith, Francis Hopkinson
General
The Fortunes of Oliver Horn
Smith, Francis Hopkinson
Baltimore (Md.) -- Fiction; Bildungsromans; New York (N.Y.) -- Fiction; Painters -- Fiction; Young men -- Fiction
"Wonderful! Wonderful! Such harmony of color; such an exquisite light.
I am amazed at the splendor of it all. What Aladdin among you, my son,
held the lamp that evoked all this beauty?"
Or still more convincing would it have been had he watched him moving
about the room, shaking every man's hand in turn, Oliver mentioning
their real names and their several qualifications, and after ward the
characters they assumed, and Richard commenting on each profession in a
way quite his own.
"A musician, sir," he would have heard him exclaim as he grasped
Simmons's hand, over which hung a fall of antique lace; "I have loved
music all my days. It is an additional bond between us, sir. And the
costume is quite in keeping with your art. How delightful it would be,
my dear sir, if we could discard forever the sombre clothes of our day
and go back to the velvets and silks Of the past."
"Mr. Stedman, did you say, my son?" and he turned to Oliver. "You have
certainly mentioned this gentleman's name to me before. If I do not
mistake, he is one of your very old friends. There is no need of your
telling me that you are Lorenzo. I can quite understand now why Jessica
lost her heart."
Or to see him turn to Jack Bedford with: "You don't tell me so! Mr.
John Bedford, did you say, Oliver? Ah, but we should not be strangers,
sir. If I am right, you are a fellow-townsman of ours, and have already
distinguished yourself in your profession. Your costume is especially
becoming to you, sir. What discernment you have shown. Permit me to
say, that with you the old adage must be reversed--this time the man
makes the clothes."
The same adage could really have been applied to this old gentleman's
own dress, had he but only known it. He had not altered it in twenty
years, even after it had become a matter of comment among his neighbors
in Kennedy Square.
"I always associate one's clothes with one's manners," he would say,
with a smile. "If they are good, and suited to the occasion, best not
change them." Nathan was of the same mind. The wide hat, long, evenly
parted hair, and pen-wiper cloak could be traced to these same
old-fashioned ideas. These idiosyncrasies excited no comment so far as
Nathan was concerned. He was always looked upon as belonging to some
antediluvian period, but with a progressive man like Richard the case,
his neighbors thought, might have been different.
As Richard moved about the room, saluting each one in turn, the men in
and out of costume--the guests were in evening dress--looked at each
other and smiled at the old gentleman's quaint ways, but the old
gentleman, with the same ease of manner and speech, continued on quite
around the table, followed closely by Nathan, who limited his
salutations to a timid shake of the fingers and the leaving of some
word of praise or quaint greeting, which many of them remember even to
this day.
Public-domain text, read in full here on John Shaqi.
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