The Fortunes of Oliver HornSmith, Francis Hopkinson
General
The Fortunes of Oliver Horn
Smith, Francis Hopkinson
Baltimore (Md.) -- Fiction; Bildungsromans; New York (N.Y.) -- Fiction; Painters -- Fiction; Young men -- Fiction
This condensation of good-nature, wit, and good-humor, Fred went on to
say, had been shipped to "The States" by his father, a rich
manufacturer of Irish whiskies in Dublin, that he might learn something
of the ways of the New World. And there was not the slightest doubt in
the minds of his comrades, so Fred assured Oliver, that he had not only
won his diploma, but that the sum of his knowledge along several other
lines far exceeded that of any one of his contemporaries. His
allowances came regularly every month, through the hands of Cockburn,
who had known him in London, and whose bank cashed McFudd's
remittances--a fact which enabled my lord to a greater extent than the
others to keep an eye on the Irishman's movements and expenditures.
Whatever deviltry was inaugurated on this top floor during the day as
well as the night, and it was pretty constant, could be traced without
much difficulty to this irrepressible young Irishman. If Tomlins found
his dress-suit put to bed, with a pillow for a body and his crush-hat
for a head; or Cranch found Waller's lay-figure (Waller often used his
bedroom as a studio) sitting bolt upright in his easy-chair, with its
back to him reading a newspaper--the servant having been told to
announce to Cranch, the moment she opened the door, that "a gentleman
was waiting for him in his room"; or Cockburn was sent off on some
wild-goose chase uptown--it was safe to say that Mac was at the bottom
of it all.
If, Fred added impressively, this rollicking, devil-may-care, perfectly
sound and hearty young Hibernian had ever been absolutely, entirely,
and completely sober since his sojourn in the land of the free, no one
of his fellow-boarders had ever discovered it.
Of this motley gathering "Ruffle-shirt" Tomlins, the swell; "Fog-horn"
Cranch, the auctioneer; "Walrus" Waller, the sheep-painter; "My Lord"
Cockburn, the Englishman; Fred Stone and Cornelius McFudd, not only
occupied the bedrooms, but had seats at Miss Teetum's table, four
flights below. Bianchi and the others were the guests of the evening.
All this, and more, Fred poured into Oliver's willing ear in loud or
soft tones, dependent upon the particular kind of bedlam that was loose
in the room at the moment, as they sat side by side on the floor,
Oliver's back supported by a pillow which Tomlins had brought from his
own bed and tucked behind his shoulders with his own hand.
This courtesy had been followed by another, quite as comforting and as
thoughtful. Cockburn, the moment Oliver's back touched the wall, had
handed him a tooth-brush mug without a handle, filled to the brim with
a decoction of Cockburn's own brewing, compounded hot according to
McFudd's receipt, and poured from an earthen pitcher kept within reach
of Cockburn's hand, and to which Oliver, in accordance with his
habitual custom, had merely touched his lips, he being the most
temperate of young gentlemen.
Public-domain text, read in full here on John Shaqi.
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