The Fortunes of Oliver HornSmith, Francis Hopkinson
General
The Fortunes of Oliver Horn
Smith, Francis Hopkinson
Baltimore (Md.) -- Fiction; Bildungsromans; New York (N.Y.) -- Fiction; Painters -- Fiction; Young men -- Fiction
As the words rolled from his lips Oliver seemed to forget the scene
before him. Somehow he could see the light in Sue's eyes, as she
listened, and hear her last words. He could hear the voice of his
mother, and feel her hand on his head; and then, as the soft vowels and
cadences of the quaint melody breathed themselves out, he could catch
again the expression of delight on the face of Malachi--who had taught
him the song--as he listened, his black cheek in his wrinkled palm. It
was a supreme moment with Oliver. The thrill of happiness that had
quivered through him for days, intensified by this new heaven of
Bohemia, vibrated in every note he uttered.
The effect was equally startling on those about him. Cranch craned his
head, and for once lowered his voice to a whisper in speaking to the
man next him. Bowdoin, the painter, and one of the guests, left his
seat and tip-toed to the piano, his eyes riveted on Oliver's face, his
whole being absorbed in the melody. Bianchi and Waller so far lost
themselves that their pipes went out, while Simmons was so entranced
that he forgot to applaud when Oliver finished.
The effect produced was not so much due to the quality in Oliver's
voice--sweet and sympathetic as it was--nor to his manner of singing,
nor to the sentiment of the song itself, but to the fact of its being,
with its clear, sweet notes, a positive contrast to all of noise and
clamor that had gone before. This fact, more than any other, made his
listeners hold their breath in wonder and delight. It came like the
song of a bird bursting out after a storm and charming everyone with
the beauty of its melody, while the thunder of the tempest still
reverberated through the air.
In the hush of the death-like stillness that followed, the steady tramp
of feet was heard on the staircase, and the next instant the head of a
young man, with a rosy face and side-chop coachman whiskers, close-cut
black hair and shoe-button eyes, glistening with fun, was craned around
the jamb of the door.
It was the property of Mr. Cornelius McFudd!
He was in full evening dress, and as immaculate as if he had stepped
out of a bandbox.
Whatever stimulants had permeated his system and fired his imagination
had evidently escaped his legs, for they were as steady as those of a
tripod. His entrance, in a measure, restored the assemblage to its
normal condition. Mr. McFudd raised his hand impressively, checking the
customary outbreak that always greeted his appearance on occasions like
this, struck a deprecatory attitude and said, solemnly, in a rich,
North-of-Ireland accent:
"Gentlemen, it is with the greatest surprise that I find ye contint to
waste your time over such riotous proceedings as I know have taken
place here to-night, when within a block of yez is a perfarmance that
would delight yer souls. Think of a man throwing a hand-spring over--"
Public-domain text, read in full here on John Shaqi.
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