"Madame, M. le Baron, who could no longer leave his armchair, was struck a week ago by an attack of apoplexy. He muttered your name for the last time, then ceased to speak, and soon was no more." Diana went up again without another word. Her room was on the first story, and looked only into a courtyard. The furniture was somber, but rich, the hangings, in Arras tapestry, represented the death of our Saviour, a prie-Dieu and stool in carved oak, a bed with twisted columns, and tapestries like the walls, were the sole ornaments of the room. Not a flower, no gilding, but in a frame of black was contained a portrait of a man, before which the lady now knelt down, with dry eyes, but a sad heart. She fixed on this picture a long look of indescribable love. It represented a young man about twenty-eight, lying half naked on a bed; from his wounded breast the blood still flowed, his right hand hung mutilated, and yet it still held a broken sword. His eyes were closed as though he were about to die, paleness and suffering gave to his face that divine character which the faces of mortals assume only at the moment of quitting life for eternity. Under the portrait, in letters red as blood, was written, "Aut Cæsar aut nihil." The lady extended her arm, and spoke as though it could hear her. "I had begged thee to wait, although thy soul must have thirsted for vengeance; and as the dead see all, thou hast seen, my love, that I lived only not to kill my father, else I would have died after you; and then, you know, on your bleeding corpse I uttered a vow to give death for death, blood for blood, but I would not do it while the old man called me his innocent child. Thou hast waited, beloved, and now I am free: the last tie which bound me to earth is broken. I am all yours, and now I am free to come to you." She rose on one knee, kissed the hand, and then went on: "I can weep no more--my tears have dried up in weeping over your tomb. In a few months I shall rejoin you, and you then will reply to me, dear shade, to whom I have spoken so often without reply." Diana then rose, and seating herself in her chair, muttered, "Poor father!" and then fell into a profound reverie. At last she called Remy. The faithful servant soon appeared. "Here I am, madame." "My worthy friend, my brother--you, the last person who knows me on this earth--say adieu to me." "Why so, madame?" "Because the time has come for us to separate." "Separate!" cried the young man. "What do you mean, madame?" "Yes, Remy. My project of vengeance seemed to me noble and pure while there remained an obstacle between me and it, and I only contemplated it from afar off; but now that I approach the execution of it--now that the obstacle has disappeared--I do not draw back, but I do not wish to drag with me into crime a generous and pure soul like yours; therefore you must quit me, my friend." Remy listened to the words of Diana with a somber look.