The Forty-Niners: A Chronicle of the California Trail and El DoradoWhite, Stewart Edward
History
The Forty-Niners: A Chronicle of the California Trail and El Dorado
White, Stewart Edward
California -- Gold discoveries; California -- History; California National Historic Trail
Some of the numberless saloons already showed signs of real
magnificence. Mahogany bars with brass rails, huge mirrors in gilt
frames, pyramids of delicate crystal, rich hangings, oil paintings of
doubtful merit but indisputable interest, heavy chandeliers of glass
prisms, the most elaborate of free lunches, skillful barkeepers who
mixed drinks at arm's length, were common to all the better places.
These things would not be so remarkable in large cities at the present
time, but in the early Fifties, only three years after the tent stage,
and thousands of miles from the nearest civilization, the enterprise
that was displayed seemed remarkable. The question of expense did not
stop these early worthies. Of one saloonkeeper it is related that,
desiring a punch bowl and finding that the only vessel of the sort was a
soup-tureen belonging to a large and expensive dinner set, he bought the
whole set for the sake of the soup-tureen. Some of the more pretentious
places boasted of special attractions: thus one supported its ceiling on
crystal pillars; another had dashing young women to serve the drinks,
though the mixing was done by men as usual; a third possessed a large
musical-box capable of playing several very noisy tunes; a fourth had
imported a marvelous piece of mechanism run by clockwork which exhibited
the sea in motion, a ship tossing on the waves, on shore a windmill in
action, a train of cars passing over a bridge, a deer chased by hounds,
and the like.
But these bar-rooms were a totally different institution from the
gambling resorts. Although gambling was not now considered the entirely
worthy occupation of a few years previous, and although some of the
better citizens, while frequenting the gambling halls, still preferred
to do their own playing in semi-private, the picturesqueness and glory
of these places had not yet been dimmed by any general popular
disapproval. The gambling halls were not only places to risk one's
fortune, but they were also a sort of evening club. They usually
supported a raised stage with footlights, a negro minstrel troop, or a
singer or so. On one side elaborate bars of rosewood or mahogany ran the
entire length, backed by big mirrors of French plate. The whole of the
very large main floor was heavily carpeted. Down the center generally
ran two rows of gambling tables offering various games such as faro,
keeno, roulette, poker, and the dice games. Beyond these tables, on the
opposite side of the room from the bar, were the lounging quarters, with
small tables, large easy-chairs, settees, and fireplaces. Decoration was
of the most ornate. The ceilings and walls were generally white with a
great deal of gilt. All classes of people frequented these places and
were welcomed there. Some were dressed in the height of fashion, and
some wore the roughest sort of miners' clothes--floppy old slouch hats,
flannel shirts, boots to which the dried mud was clinging or from which
it fell to the rich carpet.
Public-domain text, read in full here on John Shaqi.
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