The best of those modern novels in which the present-day religious interest reveals itself in its most significant aspect often treat it shyly, almost timidly. For with the crumbling of the ancient cosmogony and its dependent beliefs the old cock-sure attitude became obsolete. The writer no longer says, “This is the truth; no decent or sensible person will deny it”; but instead: “This is my opinion—what experience has given me; take it for what it is or may be worth.” Very frequently it is only the consciousness of things spiritual which is clearly shown; their nature, with a deeper reverence than that of yore, is left indeterminate. Here and there appears an author whose belief is as detailed as that of Will Levington Comfort: usually, however, it is rather a reaching out, a sense of things unseen, the mental attitude one of obedience to Abt Vogler’s advice: “Consider, and bow the head.” In this as in so many other phases of our modern thought and experience H. G. Wells has succeeded in stating lucidly that of which the majority of people are but more or less dimly aware. It is indeed particularly interesting to note the growth of spiritual and religious interest in Mr. Wells. Decidedly materialistic in much of his earlier work, it is only when _Marriage_ is reached that we find the hero, Trafford, deploring the fact that his wife and himself have won “no religion to give them”—i. e. their children—“no sense of a general purpose.” And, though foreshadowed in other stories, not until _The Passionate Friends_ of last autumn does there come the description of a genuine religious experience, a description which is thoroughly characteristic of that sense of awe, of a greatness and power too vast to be expressed in faltering, merely human speech, which is often—it might be safe to say, always—the very crux of the religious spirit as it appears in the modern novel. Stephen Stratton, who relates the experience, has reached the crisis of his life and knows not where to go nor what to do when, as he phrases it: “The great stillness that is behind and above and around the world of sense did in some way communicate with me … commanding me to turn my face now to the great work that lies before mankind.” And having told him what his share in this work is to be, “the stillness” bids him: “Make use of that confusedly striving brain that I have lifted so painfully out of the deadness of matter.” And Stephen, though he cries out, “But who are you?” obeys.