The foster-sisters : $b A story in the days of Wesley and WhitfieldGuernsey, Lucy Ellen
History
The foster-sisters : $b A story in the days of Wesley and Whitfield
Guernsey, Lucy Ellen
Evangelical Revival -- England -- History -- 18th century -- Fiction; Historical fiction; Young women -- Fiction
"Yes, that is always the way!" she grumbled. "Mary can go to the shop
where she can see every one, and I must sit poked up stairs, sewing my
eyes out. It is too bad."
"I am sure I would willingly change places with you, if mistress were
willing!" said Mary. "I do not love to serve in the shop at all."
"Then ask her—do ask her!" returned Betty eagerly. "So many folks will
be sure to come in this morning to hear the news."
"You will do no such thing, Mary!" said Mrs. Crump decidedly. "Your
mistress knows what she is about, and I will not have her fashed with
such follies. You know very well, Betty, the last time you served in
the shop, you broke a china jar, worth a half year's work, all because
you were gaping and staring instead of minding your business. I think
the remembrance of what is up over our heads, might give you some
serious thoughts for once."
"That is just it!" whispered Betty. "I am afraid to stay up there, with
a corpse in the house."
"And what do you think the dead woman is going to do to you? However,
you can bring your work down to my room, if you like."
Amabel and I arranged our room, and then began to wonder what we
should do next; we could not practise our music, neither did we feel
like diverting ourselves with "Sir Charles Grandison." At last, Amabel
proposed that we should take our work and Mr. Thomson's poems into the
garden, and work or read as we fancied.
It was a lovely day; a breeze was blowing, just enough to cool the
air and bring in the freshness of the sea, to mingle with the smell
of the late haying, and the stocks and gill-flowers in the borders,
and make music in the great cedar that grew in the church-yard. Amabel
had just finished reading "The Autumn," when we became aware that she
had another auditor than myself. Mr. Wesley had come out of the house,
approaching with so gentle a step that we had not heard him, and stood
listening to the reading. We both rose in some little confusion, and
curtsied an answer to his polished greeting.
"Pray do not let me disturb you!" said he, as he seated himself on the
other bench of the little arbor. "It is a pleasure to find young ladies
so well employed. Will you permit me to rest here for a short time? I
have been riding since dawn."
Amabel made some polite answer, and Mr. Wesley took up the book she had
laid down.
"'Tis a fine poem, is it not?" said he. "Have you read the hymn with
which the book concludes?"
"We have not got as far as that!" said Amabel.
Mr. Wesley turned over the leaves, and began that sublime hymn,
beginning—
"These as they change, Almighty Father, these
Are but the varied God."
I shall never dissociate these lines with the melodious voice and
expressive manner of Mr. Wesley. When he had finished, we sat silent
for a few minutes.
"That is beautiful!" said Amabel at last, with a kind of sigh.
"It is indeed!" answered Mr. Wesley. "I hardly know of more than one
finer."
"And what is that, Sir?" I ventured to ask.
Public-domain text, read in full here on John Shaqi.
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