The foster-sisters : $b A story in the days of Wesley and WhitfieldGuernsey, Lucy Ellen
History
The foster-sisters : $b A story in the days of Wesley and Whitfield
Guernsey, Lucy Ellen
Evangelical Revival -- England -- History -- 18th century -- Fiction; Historical fiction; Young women -- Fiction
Our conversation was interrupted by the entrance of the man with
the harpsichord, a handsome new instrument, which they placed in
our parlor. Mrs. Thorpe followed with her arms full of music-books,
and bringing with her a tall white-haired old gentleman, whom she
introduced as Mr. Lilburne. I took a great liking to him at once. He
examined the harpsichord, pronounced it a fine one and in perfect
tune, and, at Mrs. Thorpe's request, played some airs, which he said
were from Mr. Handel's oratorio of the Messiah. Finding that we could
read music and had some knowledge of the theory, he gave us a lesson,
promising to call the next day but one and hear us play it.
This was destined to be a day of surprises. Amabel was carefully
playing over her lesson, and I was busily working at my lace piece,
when we heard some one coming up stairs, and Mrs. Thorpe herself
throwing open the door announced, with some trepidation—
"Mrs. Deborah Leighton—your aunt, Mrs. Deborah Leighton, Mrs. Amabel."
We both rose to our feet with a start and curtsied to the tall lady in
a riding habit who stood in the door.
Mrs. Deborah was the oldest of the ladies at Highbeck Hall, and was at
that time turned of fifty. She wore her own gray hair without powder,
turned up under a man's beaver with a handsome feather and gold clasp.
I had never seen a riding habit near at hand at that time, and the coat
and waistcoat, almost exactly like a man's, with the deep-laced pockets
and cravat, struck me with surprise. Mrs. Deborah wore large gold
ear-rings, and the seals of a watch dangled below her waistcoat. In her
hand she carried a riding whip with a silver handle.
"There, don't come too near me, girls! I don't suppose there is any
infection about me, but it is best to be safe," she said, speaking in
a strong deep voice, which yet had a certain music in it. "I need not
ask which is which. This, I am sure, is Amabel, from her looks, and
this Cornish girl is Lucy Corbet. You are your father's girl, child, as
Amabel is her mother's," looking at me with a curious contraction of
her mouth, as of one in momentary pain. "Your father was a goodly and
gallant man, child. I knew him well. And your mother was one of whom
the world was not worthy. There, be a good girl and you shall never
want a friend while I live. And you are Amabel, eh!" turning to her.
"You are a beauty like your mother, but beauty is a fading flower—you
know that, don't you?"
"Yes, madam," answered Amabel.
"Well, and how do you find yourselves? I will sit with you a little,
seeing I am here, and my good friend, Mrs. Thorpe, will send me a glass
of ale."
Mrs. Thorpe withdrew on this hint, and Mrs. Deborah seated herself near
the door and continued her catechism.
"There, there, sit down—" For, of course, we had remained standing.
"And how do you find yourselves? Are you comfortable here?"
"Yes, madam, we are very happy here," Amabel answered.
Public-domain text, read in full here on John Shaqi.
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