"The intellectual man does no fighting," Froude has written. Why do not Yanagi and his friends make a stand on public questions? "Because," he said, "at the present stage of our development it is almost impossible to take up a strong attitude, and because, important though political and social questions are, they are not, in our opinion, of the first importance. To artists, philosophers, students of religion, such problems are secondary. More important problems are: What is the meaning of this world? What is God? What is the essence of religion? How can we best nourish ourselves so as to realise our own personalities? Political and social problems are secondary for us at present; they are not related emotionally to our present conditions[112]. For the East the Root, For the West the Fruit. "If we faced such problems directly we should probably make them primary problems, as you do in Great Britain. Our present attitude does not prove, however, that we are cold to political and social problems. In fact, when we think of these terrible political and social questions they make us boil. But you will understand that in order to have something to give to others, we must have that something. We are seeking after that something." Yanagi, continuing, spoke of the direct contribution which the new artistic movement in Japan, under the influence of modern Western art, was making to the solution of political and social questions[113]. The interest of the younger generation in Post Impressionism was "quite disharmonious with the ordinary attitude towards militarism." European art broke down barriers in the Japanese mind. When the younger generation, nourished on higher ideals, grew up, it would be the State, and there would be a more hopeful condition of affairs. People generally supposed that social questions were the most practical; but religious, artistic, philosophic questions were, in the truest sense of the word, the most practical. Yanagi went on to tell of his devotion to Blake. He could not understand "why Englishmen are so cool to him." He asked me how it was that there was no word about Blake in Andrew Lang's work on English literature. "I cannot imagine," he said, "why such an intelligent man could not appreciate Blake." Yanagi regarded Blake as "the artist of immense will, of immense desire, and a man in whom can be seen that affirmative attitude towards life, exhibited later by Whitman." Yanagi spoke also of "Anglo-Saxon nobility, liberty, depth of character and healthiness," and of "a deep and noble character" in English literature which he did not find elsewhere. Whitman, Emerson, Poe and William James were "the crown of America."