Joy and sorrow are reactions and they are noble or the reverse, according to the nature of the person. Joy may be noble, sensuous, trivial or mean; many a "jolly" person is such because he has no real sympathy. At the present time not one of us could rejoice over anything could we SEE and sympathize deeply with the misery of Europe and China, to say nothing of that in our own country. Nay, any wrong to others would blast all our pleasure, could we really feel it. Fortunately only a few are so cursed with sympathy. When the capacity for joyous feeling is joined with fortitude or endurance, then we have the really cheerful, who spread their feeling everywhere, whom all men love. Where cheerfulness is due to lack of sympathy and understanding, we speak of a cheerful idiot; and well does that type merit the name. There is a modern cult whose followers sing "La, la, la" at all times and places, who minimize all misfortune, crime, suffering, who find "good in everything,"--the "Pollyana" tribe. My objection to them is based on this,--that mankind must see clearly in order to rid itself of unnecessary suffering. Hiding one's head (and brains) in a desert of optimism merely perpetuates evil, even though one sufferer here and there is deluded into happiness. Sorrow may enrich the nature or it may embitter and narrow it. Wisdom may spring from it; indeed, who can be wise who has not sorrowed? Says Goethe: "Wer nie sein Brot in Thranen ass Wer nie die kummervollen Nachte Auf seinem Bette weinend sass Er weiss Euch nicht--himmelischen Machte." The afflicted in their sorrow may turn from self-seeking to God and good deeds. But sorrow may come in a trivial nature from trivial causes; the soul may be plunged into despair because one has been denied a gift or a pleasure. The demonstrativeness of grief or sorrow is not at all in proportion to the emotion felt; it is more often based on the effort to get sympathy and help. For sorrow is "Help, help" in one form or another, even though one refuses to be comforted. All our emotions, because they are socially powerful, become somewhat theatrical; in some completely theatrical. We are so constituted that emotional display is not indifferent to us; it pleases, repels, annoys, angers, frightens, disgusts or awes us according to the kind of emotion displayed, the displayer and the circumstances.