Each age, each country, each group and each family set up the objects and qualities for admiration, in a word, the ideals. Out of these the individual selects his specialties in admiration, according to his nature and training. All the world admires vigor, strength, courage and endurance,--and these in their physical aspects. The hero of all times has had these qualities: he is energetic, capable of feats beyond the power of others, is fearless and bears his ills with equanimity. Beauty, especially in the woman, but also in man, has received an over-great share of homage, but here "tastes differ." We have no difficulty in agreement on what constitutes strength, and we have objective tests for its measurement; but who can agree on beauty? What one race prizes as its fairest is scorned by another race. We laugh at the ideal of beauty of the Hottentot, and the physical peculiarity they praise most either disgusts or amuses us. But what is there about a white skin more lovely than a black one, and why thrill over blue eyes and neglect the brown ones? What is the rationale for the admiration of slimness as against stoutness? Indeed, there are races who would turn with scorn from our slender debutante[1] and worship their more buxom heavy-busted and wide-hipped beauties. The only "rational" beauty in face and figure is that which stands as the outer mask of health, vigor, intelligence and normal procreative function. The standards set up in each age and place usually arise from local pride, from the familiar type. The Mongolian who finds beauty in his slanting-eyed, wide-cheek boned, yellow mate has as valid a sanction as the Anglo-Saxon who worships at the shrine of his wide-eyed, straight-nosed blonde. [1] The peasant type, greatly admired by the agricultural folk of Central Europe, is stout and ruddy. This is a better ideal of beauty than the lily-white, slender and dainty maid of the cultured, who very often can neither work nor bear and nurse children.