But no matter how much one emphasizes the arbitrary nature of
modesty, of the restrictions placed on dress, speech and conduct,
it still remains true that their function is at present to act as
inhibitors. Ridiculous as it is to believe that morality resides
in the length of the skirt or in the degree of paint and powder
on the face, the fact is that usually they who depart too widely
from the conventional in these matters are uninhibited and are as
apt to depart from the conventional in deed as they are in
deportment. There are those who say that we would be far more
moral if we went about naked; that clothes suggest more than
nakedness reveals. This is true of some kinds of clothes--the
half nakedness of the stage or the ballroom, or the coquettish
additions to clothes represented by the dangling tassels --but it
is not true of the riding breeches, or the trim sport clothes, or
the walking suit. The dress of men, though ugly, is useful,
convenient and modest, and there is no doubt that a generation of
free women, determined to become human in appearance, could
evolve a modest and yet decorative costume. All of the
present-day extravagance in female attire, with its ever-changing
fashion, is a medley of commercial intrigues, female competition
and sex excitement. Though the modesty restrictions are absurd,
the motive that obscurely prompts it is not, and the
transgressors either seek notice in a risky way, are foolish, to
speak bluntly, or else are inviting actual sexual advances.
Though we may actually restrict the sex life so that some men and
women become pure in the accepted sense, it will always be true
that men and women will be vaguely or definitely attracted to
each other. Like the atmospheric pressure which though fifteen
pounds to the square inch at the sea level is not felt, so there
exists a sex pressure, excited by men and women in each other.
There is a smoldering excitement always ready to leap into flame
whenever the young and attractive of the sexes meet. The
conventions of modesty tend to restrict the excitement, to
neutralize the sex pressure, but they may be swept aside by
immodesty and the suggestive. The explanation of the anger and
condemnation felt by the moral man in the presence of the
"brazen" woman lies in the threat to his purposes of
respectability and faithfulness; he is angered that this creature
can arouse a conflict in him. The bitterness of the "saint"
against the wanton originates in the ease with which she tempts
him, and his natural conclusion is that the fault lies with her
and not with his own passions. The respectable woman inveigles
against her more untrammeled sister, not so much through her
concern for morality, as through the anger felt against an
unscrupulous competitor who is breaking the rules.
Public-domain text, read in full here on John Shaqi.
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