He disappeared from college for a year and came back tanned, ruddy and at rest. He had found a capacity for interest and emotion outside of himself. He had experienced phases of life about which he would not talk at first, but in later years he admitted that he had been a "man of the world." He regretted much that had happened, but on the whole he rejoiced in an equanimity, in a capacity for objective interest, that he had never had before. His introspective trend was still very strong, but it lent subtlety and wisdom to his life, rather than weakness. Now and then he became harassed by a feeling of unreality, by a questioning skepticism that nullified happiness, and he felt himself divided by his intellect. These he shook off by dropping his work, by hunting, fishing and accepting simple goals of activity. Later on he married, and became a scholar of some note. I think he now relishes life as well as any really thoughtful man of middle life can. There is a personality type, the emotional introspective, whose interest in life is directed toward their own sensations and emotions. They do not view people or things as having a value in themselves and for themselves; they deliberately view them as sources of a personal pleasurable sensation. I do not mean the crude egoist who asks of anything or anybody, "What good is it (or he) for me?" but I mean that connoisseur in emotions, casually blase and bored, who seeks new sensations. This is an introspective deviation of a serious kind, for the connoisseur in emotions rarely is happy and usually is most deeply miserable. Bourget in his remarkable psychological novel, "A Love Crime," has admirably drawn one of these characters. The exquisite Armand, seeking pleasure constantly, is divided into the sensualist who seduces and ruins and the introspectionist who watches the proceeding with disgust and disillusion. It is not an outraged conscience that is at work but the inability to feel without analyzing the feeling "Ah, for a single passion that might apply my entire sensibility to another being, like wet paper against a window pane." This is the eternal tragedy of sophistication,--that there results an anhedonia in large part manifested by a restless introspection. The mind is drawn away from the outside world, and everything is seen out of proportion.