When he was twenty he found himself the theater of many
conflicts. He was weary of life, yet lusted for experiences that
his hyperestheticism would not permit him to take. Sex seemed too
crude, and the girls of his age were "silly." Yet their lure and
his own internal tensions dragged him to one place after another,
hoping that he would find the perfect woman, able to understand
him. At last he did find her, so he thought, in the person of a
young woman of twenty-five, a consummate mistress of the arts of
femininity. She sized him up at once, played on his vanity,
extolled his fine tastes and never exposed a single crudity of
her own, until she brought him to the point where his passion for
her, his conviction that he had found "the perfect woman," led
him to propose marriage. Then came the blow: she laughed at him,
called him a silly boy, gave him a lecture as to what constituted
a fine man, extolling crudity, vigor and virility as the prime
virtues.
His world was shattered, and its shadowy pleasures gone. At first
his parents were inclined to believe that this was a good lesson,
that T. would learn from this adventure and become a more hardy
young man. Instead he became sleepless, restless and without
desire for food or drink; he shunned men and women alike; he
stared hollow-eyed at a world full of noise and motion but
without meaning or joy. Deep was this anhedonia, and all
exhortations to "brace up and be a man" failed. Diversion, travel
and all the usual medical consultations and attentions did no
good.
One day he announced to his family that he was all right, that
soon he would be well. He seemed cheerful, talked with some
animation and dressed himself with unusual care. His parents
rejoiced, but one of his brothers did not like what he called a
"gleam" in T.'s eyes. So he followed him, in a skillful manner.
T. walked around for a while, then found his way to a bridge
crossing a swift deep river. He took off his coat, but before he
could mount the rail his watchful brother was upon him. He made
no struggle and consented to come back home. In his coat was a
letter stating that he saw no use in living, that he was not
taking his life because of disappointment in love but because he
felt that he never could enjoy what others found pleasurable, and
that he was an anomaly, a curse to himself and others.
He was sent away to a sanatorium but left it and came home. He
began to eat and drink again, found he could sleep at night (the
sleepless night had filled him with despair) and soon swung back
into his "normal" state. He passes throughout life a spectator of
the joys of others, wondering why his grip on content and desire
is so slender, but also he thinks himself of a finer clay than
his fellows.
Public-domain text, read in full here on John Shaqi.
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