New York (N.Y.) -- Social life and customs -- Fiction; Short stories, American
“She has been in this room,” he cried, and he sprang to wrest from it a
token, for he knew he would recognize the smallest thing that had
belonged to her or that she had touched. This enveloping scent of
mignonette, the odour that she had loved and made her own—whence came
it?
The room had been but carelessly set in order. Scattered upon the
flimsy dresser scarf were half a dozen hairpins—those discreet,
indistinguishable friends of womankind, feminine of gender, infinite of
mood and uncommunicative of tense. These he ignored, conscious of their
triumphant lack of identity. Ransacking the drawers of the dresser he
came upon a discarded, tiny, ragged handkerchief. He pressed it to his
face. It was racy and insolent with heliotrope; he hurled it to the
floor. In another drawer he found odd buttons, a theatre programme, a
pawnbroker’s card, two lost marshmallows, a book on the divination of
dreams. In the last was a woman’s black satin hair bow, which halted
him, poised between ice and fire. But the black satin hair-bow also is
femininity’s demure, impersonal, common ornament, and tells no tales.
And then he traversed the room like a hound on the scent, skimming the
walls, considering the corners of the bulging matting on his hands and
knees, rummaging mantel and tables, the curtains and hangings, the
drunken cabinet in the corner, for a visible sign, unable to perceive
that she was there beside, around, against, within, above him, clinging
to him, wooing him, calling him so poignantly through the finer senses
that even his grosser ones became cognisant of the call. Once again he
answered loudly: “Yes, dear!” and turned, wild-eyed, to gaze on
vacancy, for he could not yet discern form and colour and love and
outstretched arms in the odour of mignonette. Oh, God! whence that
odour, and since when have odours had a voice to call? Thus he groped.
He burrowed in crevices and corners, and found corks and cigarettes.
These he passed in passive contempt. But once he found in a fold of the
matting a half-smoked cigar, and this he ground beneath his heel with a
green and trenchant oath. He sifted the room from end to end. He found
dreary and ignoble small records of many a peripatetic tenant; but of
her whom he sought, and who may have lodged there, and whose spirit
seemed to hover there, he found no trace.
And then he thought of the housekeeper.
He ran from the haunted room downstairs and to a door that showed a
crack of light. She came out to his knock. He smothered his excitement
as best he could.
“Will you tell me, madam,” he besought her, “who occupied the room I
have before I came?”
“Yes, sir. I can tell you again. ’Twas Sprowls and Mooney, as I said.
Miss B’retta Sprowls it was in the theatres, but Missis Mooney she was.
My house is well known for respectability. The marriage certificate
hung, framed, on a nail over—”
“What kind of a lady was Miss Sprowls—in looks, I mean?”
Public-domain text, read in full here on John Shaqi.
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