Sussex (England) -- Fiction; World War, 1914-1918 -- England -- Fiction
“Here—when a great whinny moor rolled down from Anderida to the
sea, and Pevens Isle and Horse Isle were green in the bight of the
bay, and the family of the Heastings had finished building their
ham by the coast—here used to be the Lake of Blood, where hearts
were drowned. A red tun stands on it now, and good folk come to it
on market-days. Thus shall it be with all wars—out of the red blood
the red town, and under the green barrows friend and foe, tumbled
together in the brotherhood of sleep.”
The east wind like a Saxon ghost whistled against Tom’s neck.
“We fought as you did once—we hated the Norman as you hate the
German, yet look how peacefully we sleep together.”
“They must have been funny,” thought Tom, “those oald wars wud bows
and arrows.”
“Harold! Harold!... Rollo! Rollo!” cried the ghosts on the east wind
from Senlac.
“God save the Queen,” said the Rifle Volunteer.
PART VII: MR. SUMPTION
1
It was early in April. A soft fleck of clouds lay over the sky, so
thin, so rifted, that the sinking lights of afternoon bloomed their
hollows with cowslip. A misty warmth hung over the fields, drawing up
the perfume of violets and harrowed earth, of the soft clay-mud of
the lanes, not yet dry after a shower and with puddles lying in the
ruts like yellow milk.
Sunday Street was in stillness, like a village in a dream. Thin
spines of wood-smoke rose from its chimneys, blue against the grey
dapple of the clouds. The chink of a hammer came from the Forge,
but so muffled, so rhythmic that it seemed part of the silence. The
watery atmosphere intensified that effect of dream and illusion which
the village had that evening. Through it the cottages and farms
showed with a watery clearness and at the same time a strange air of
distance and unreality. There was flooding light, yet no sunshine,
distinctness of every line in eaves and tiling, of every daffodil
and primrose in garden-borders, and yet that peculiar sense as of
something far away, intangible, a mirage painted on a cloud. It was
thus that the vision of his home might rise before the stretched,
abnormal sight of a dying man, a simulacrum, a fetch....
Public-domain text, read in full here on John Shaqi.
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