He wanted to switch to a more personal topic of conversation but he did
not know how to accomplish this feat. There was plenty of interest but it
was more clinical than passionate; he was not stirred to yearning, he
felt no overwhelming desire to hold Martha's hand nor to feel the
softness of her face, yet there was a stirring urge to make some form of
contact. But he had no idea of how to steer the conversation towards
personal lines that might lead into something that would justify a
gesture towards her. It began to work on him. The original clinical urge
to touch her just to see what reaction would obtain changed into a
personal urge that grew higher as he found that he could not kick the
conversational ball in that direction. The idea of putting an arm about
her waist as he had seen men embrace their girls on television was a
pleasing thought; he wanted to find out if kissing was as much fun as it
was made up to be.
But instead of offering him any encouragement, or even giving him a
chance to start shifting the conversation, Martha went prattling on and
on and on about a book she'd read recently.
It did not occur to James Holden that Martha Bagley might entertain the
idea of physical contact of some mild sort on an experimental basis. He
did not even consider the possibility that he might _start_ her thinking
about it. So instead of closing the distance between them like a gentle
wolf, watching with sly calculation to ascertain whether her response was
positive, negative, or completely neutral, he sat like a post and fretted
inwardly because he couldn't control the direction of their conversation.
Ultimately, of course, Martha ran out of comment on her book and then
there fell a deadly silence because James couldn't dredge up another
lively subject. Desperately, he searched through his mind for an opening.
There was none. The bright patter between male and female characters in
books he'd smuggled started off on too high a level on both sides. Books
that were written adequately for his understanding of this problem signed
off with the trite explanation that they lived happily ever afterwards
but did not say a darned thing about how they went about it. The slightly
lurid books that he'd bought, delivered in plain wrappers, gave some very
illuminating descriptions of the art or act, but the affair opened with
the scene all set and the principal characters both ready, willing, and
able. There was no conversational road map that showed the way that led
two people from a calm and unemotional discussion into an area that might
lead to something entirely else.
In silence, James Holden sat there sinking deeper and deeper into his own
misery.
Public-domain text, read in full here on John Shaqi.
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