The Free Lances: A Romance of the Mexican ValleyReid, Mayne
History
The Free Lances: A Romance of the Mexican Valley
Reid, Mayne
Mexico -- History -- 19th century -- Fiction
While his fair prisoners were thus exchanging thought and speech,
Santander, in the _sala grande_ outside, was doing his best to pass the
time pleasantly. An effort it was costing him, however, and one far
from successful. His last lingering hope of being beloved by Luisa
Valverde was gone--completely destroyed by what had late come to his
knowledge--and henceforth his love for her could only be as that of
Tarquin for Lucretia. Nor would he have any Collatinus to fear--no
rival, martial or otherwise--since his master, Santa Anna, had long
since given up his designs on Don Ignacio's daughter, exclusively
bending himself to his scheme of conquest--now revenge--over the
Condesa. But though relieved in this regard, and likely to have his own
way, Carlos Santander was anything but a happy man after making that
arrest; instead, almost as miserable as either of those he had arrested.
Still keeping up a pretence of gallantry, he could not command their
company in the drawing-room where he had installed himself; nor, under
the circumstances, would it have been desirable. He was not alone,
however; Major Ramirez and the other officers of his escort being there
with him; and, as in like cases, they were enjoying themselves. However
considerate for the feelings of the ladies, they made free enough with
the house itself, its domestics, larder, and _cocina_, and, above all,
the cellar. Its binns were inquired into, the best wine ordered to be
brought from them, as though they who gave the order were the guests of
an hotel and Don Ignacio's drawing-room a drinking saloon.
Outside in the courtyard, and further off by the coach-house, similar
scenes were transpiring. Never had that quiet _casa de campo_ known so
much noise. For the soldiers had got among them--it was the house of a
_rebel_, and therefore devoted to ruin.
CHAPTER FIFTY EIGHT.
THE COCHERO DOGGED.
Public-domain text, read in full here on John Shaqi.
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