The Free Lances: A Romance of the Mexican ValleyReid, Mayne
History
The Free Lances: A Romance of the Mexican Valley
Reid, Mayne
Mexico -- History -- 19th century -- Fiction
When out only for promenade, none of these linger long in the street of
the silversmiths. They but pass through it on their way to the
_Alameda_, a sort of half-park, half-garden, devoted to the public use,
and tastefully laid out in walks, terraces, and parterres with flowers,
and fountains; grand old evergreen trees overshadowing all. For in that
summery clime shade, not sun, is the desideratum. Here the _jovenes
dorados_ spent part of the afternoons sauntering along the arcaded
walks, or seated around the great fountain watching the play of its
crystal waters. But with an eye to something besides--the senoritas,
who are there, too, flirting the fans with a dexterity which speaks of
much practice--speaks of something more. Not every movement made by
these rustling segments of circles is intended to create currents of air
and cool the heated skin. Many a twist and turn, watched with anxious
eyes, conveys intelligence interesting as words never spoken. In Mexico
many a love tale is told, passion declared, jealous pang caused or
alleviated, by the mute languages of fans and fingers.
Though the Calle de Plateros terminates at the gate of the Alameda, the
same line of street is continued half a mile further on, to the
fashionable drive of the _Pasco Nuevo_, sometimes called Pasco de
Buccareli, from the Viceroy who ruled New Spain when it was laid out.
It is the Rotten Row of Mexico, for it is a ride as well as a drive; and
at a certain hour of the afternoon a stream of carriages, with strings
of horsemen, may be seen tending towards it, the carriages drawn, some
of them by mules, others by the small native horses, and a distinguished
few by large English or American animals, there known as _frisones_. It
is the top thing to have a pair of "_frisones_."
In the carriages, the senoras and senoritas are seen attired in their
richest robes--full evening dress--bare-armed and bareheaded, their
hair, usually black, ablaze with jewels or entwined with flowers fresh
picked--the sweet-scented suchil, the white star-like jasmine, and
crimson grenadine. Alongside ride the cavaliers, in high-peaked,
stump-leather saddles, their steeds capering and prancing; each rider,
to all appearance, requiring the full strength of his arms to control
his mount, while insidiously using his spurs to render the animal
uncontrollable. The more it pitches and plunges the better he is
pleased, provided the occupants of the carriages have their eyes on him.
Every day in the year--except during the week of _Guaresma_ (Lent), when
capricious fashion takes him to the Paseo Viejo, or _Lav Vigas_, on the
opposite side of the city--can this brilliant procession be seen moving
along the Calle de Plateros, and its continuation, the Calle de San
Francisco.
Public-domain text, read in full here on John Shaqi.
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