When he had filled all his private orders, the picturesqueness of the life
and outfit with which he traveled so appealed to Lester that he made
nearly a hundred plates depicting the daily events of the drive and the
camp. And these hundred plates, three-quarters of which were excellent,
form by far the best collection of actual Western scenes of that time and
are still preserved in the old Larkin ranch house in Montana.
At the end of the two days the Gray Bull River was still twenty miles away
and would require an equal amount of time to be reached and crossed.
During this period Bud Larkin knew nothing whatever of the fate of Jimmie
Welsh and his companions, believing that they still held the repentant
cowmen captive, and that the punchers in pursuit were still searching the
bad lands for them--an almost endless task.
He was in a state of high good humor that his plans had carried out so
well, and looked forward with almost feverish impatience to the glorious
hour when the last of his bawling merinos should stand dripping, but safe,
on the other side of the Gray Bull. The nearer approach to the stream
brought a greater nervous tension and scouts at a five-mile radius rode
back and forth all day searching for any signs of spying cowpunchers.
The thought that he might effect the passage without hindrance or loss was
stretching the improbable in Bud's mind, and he devoted much time every
day to an inspection of his supplies and accouterments.
CHAPTER XXI
JULIE INVESTIGATES
The occasion when nine men with their hands tied behind them arrived at
the Bar T ranch, accompanied by six others with Winchesters across their
saddle bows, was an extremely happy one for Juliet Bissell. This happiness
was not associated, except superficially, with the capture of the
rustlers, but had to do especially with the receipt of a certain smeared
and blackened journal from a certain tall and generously proportioned
young man.
The captives arrived at noon, but it was nearly supper-time before she had
finished reading, around, amid, among and between the lines, despite the
fact that the lines themselves left very little doubt as to the writer's
meaning.
This was not the same beautiful girl Bud Larkin had left behind him that
early morning of his escape. Since that time she had changed. The eyes
that had formerly been but the beautiful abode of allurement and
half-spoken promises, had taken on a sweet and patient seriousness. The
corners of her mouth still turned up as though she were about to smile,
but there was a firmer set to them that spoke of suppressed impulses.
Public-domain text, read in full here on John Shaqi.
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