England -- Social life and customs -- 19th century -- Fiction; English fiction; Families -- England -- Fiction
Mystery.' He puts things so well—he always has such nice ideas.”
And Felix, getting up, would walk a little and sit down again
too suddenly. Then, as if entreating him to look over her want of
'cleverness,' she would put out a hand that, for all its whiteness, had
never been idle and smooth his forehead. It had sometimes touched him
horribly to see with what despair she made attempts to follow him in his
correlating efforts, and with what relief she heard him cease enough
to let her say: “Yes, dear; only, I must show you this new kind of
expanding cork. It's simply splendid. It bottles up everything!” And
after staring at her just a moment he would acquit her of irony. Very
often after these occasions he had thought, and sometimes said: “Mother,
you're the best Conservative I ever met.” She would glance at him then,
with a special loving doubtfulness, at a loss as to whether or no he had
designed to compliment her.
When he had given her half an hour to rest he made his way to the
blue corridor, where a certain room was always kept for her, who never
occupied it long enough at a time to get tired of it. She was lying on a
sofa in a loose gray cashmere gown. The windows were open, and the
light breeze just moved in the folds of the chintz curtains and stirred
perfume from a bowl of pinks—her favorite flowers. There was no bed in
this bedroom, which in all respects differed from any other in Clara's
house, as though the spirit of another age and temper had marched in and
dispossessed the owner. Felix had a sensation that one was by no means
all body here. On the contrary. There was not a trace of the body
anywhere; as if some one had decided that the body was not quite nice.
No bed, no wash-stand, no chest of drawers, no wardrobe, no mirror, not
even a jar of Clara's special pot-pourri. And Felix said:
“This can't be your bedroom, Mother?”
Frances Freeland answered, with a touch of deprecating quizzicality:
“Oh yes, darling. I must show you my arrangements.” And she rose.
“This,” she said, “you see, goes under there, and that under here; and
that again goes under this. Then they all go under that, and then I pull
this. It's lovely.”
“But why?” said Felix.
“Oh! but don't you see? It's so nice; nobody can tell. And it doesn't
give any trouble.”
“And when you go to bed?”
“Oh! I just pop my clothes into this and open that. And there I am. It's
simply splendid.”
“I see,” said Felix. “Do you think I might sit down, or shall I go
through?”
Frances Freeland loved him with her eyes, and said:
“Naughty boy!”
And Felix sat down on what appeared to be a window-seat.
“Well,” he said, with slight uneasiness, for she was hovering, “I think
you're wonderful.”
Frances Freeland put away an impeachment that she evidently felt to be
too soft.
“Oh! but it's all so simple, darling.” And Felix saw that she had
something in her hand, and mind.
“This is my little electric brush. It'll do wonders with your hair.
While you sit there, I'll just try it.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account