The French in the Heart of AmericaFinley, John H. (John Huston)
History
The French in the Heart of America
Finley, John H. (John Huston)
Canada -- History -- To 1763 (New France); French -- North America; Mississippi River Valley -- History
It is impossible to know how much of this came from his own actual seeing
(for in his journey over the Oregon trail he had passed near the trail of
the Vérendrye brothers) and how much came from those scraps of color and
incident picked up in his blindness from varied sources; nor is it of
consequence, except as it connotes something of the quality and character
of his genius, for it is all accurate and the brave brothers Vérendrye
move as living men across it. He was able to revivify a dusty document as
well as a personal experience. "To him," as Mr. Barrett Wendell said out
of an intimate acquaintance with him and his work, "a document of whatever
kind,--a state paper, a Jesuit 'relation,' the diary of a provincial
soldier, the record of a Yankee church,--was merely the symbol of a fact
which had once been as real as his own hardships among the western
Indians, or as the lifetime of physical suffering, which never bent his
will." [Footnote: "Proceedings American Academy of Arts and Sciences,
1893-4," 29:439.] I have never read "The Oregon Trail" with the same keen
enthusiasm as his other books, largely, I think, because it is a mere
report of personal adventure and not a composition fused of his
imagination. It is an excellent photograph by the side of a master's
painting.
But all this accuracy of detail, this revivifying of dead Indians,
knights, voyageurs and soldiers, this painting of prairie, forest, and
mountain, was not in itself to put him among the world's great historians.
And, indeed, there are those who, appreciating the artist's skill, have
expressed regret that he gave this skill to no great theme. It is as if he
were (they would doubtless say) writing of the labors of sacrificing
missionaries in Africa, or of colonial administration in Indo-China, or of
forest adventure along the Amazon. In the Boston Public Library I found
that every work of his had duplicate copies in the boys' department. (And
how great the reading is to this day is intimated by my inability one
evening to get a copy of "Pontiac's War," though there were several copies
in the possession of the library. A reserve had finally to be called in.)
But I should say that this double classification intimated rather the
genuine human interest of his story, appealing alike to men and to boys
(as the greatest of human writings do)--a work "for all mankind and for
all time."
Public-domain text, read in full here on John Shaqi.
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