The title is written in a strong hand, but before he has half filled the little book he makes entry that the "French War" is laid aside, for the time, for the history of "Pontiac's War," and thus the latter part of this thin note-book grew into "The Conspiracy of Pontiac," and that in turn became sequel to the whole series of which it also was the promise, a series of books so closely related that John Fiske speaks of them as "one book." The scope, to be sure, is a restricted one. He has two great wildernesses to cover, but it is a century and a half after the epic narrative begins before enough people enter to prevent one from keeping track of all of them. It is as if he were writing the history of man, from the last day of creation forward, starting with a few transmigrant souls still under the control of their oversea existence. He begins at the beginning, with not even a twilight zone of tradition and with a stage "far more primitive than that which is depicted in the Odyssey or even Genesis." Cartier's route is as well known as that of the steamship that sailed yesterday through the "Square Gulf," if the ice permitted, and the incidents of his first days beyond the gates of the first wilderness have been as accurately recorded, to say the least, as are yesterday's events yonder in the morning's papers here. And when his story ends, there are not as many people in the two great valleys along the St. Lawrence and the Mississippi as in a good-sized city to-day. But none the less, as I have said, are the forces (fighting in and through these few representatives of civilization) age-old and world-important. Never has historian had such fascinating theme--such "epic theme," says Fiske--"save when Herodotus told the story of Greece and Persia, or when Gibbon's pages resounded with the marshalled hosts through a thousand years of change." And Parkman met one of what Lowell calls "the convincing tests of genius" in the choice of this subject. When John Fiske said at the Harvard exercises in memory of Parkman that he was one of the world's greatest historians, I subtracted something because of the occasion and the nearness of view. But a year later he is saying of Parkman's work, in a critical review: "Strong in its individuality and like to nothing besides, it clearly belongs, I think, among the world's few masterpieces of the highest rank, along with the works of Herodotus, Thucydides, and Gibbon." [Footnote: _Atlantic Monthly_, 73:674; "A Century of Science and Other Essays," p. 264.] There will never be such a story to write again, for the frontier of forest and prairie has disappeared. It is now in the midst of cities where civilizations grapple in their smoke and turmoil. So shall we hold even more precious his gift and thank Heaven for "sending us such a scholar, such an artist, such a genius before it was too late to catch the fleeting light and fix it upon immortal canvas."