A change is coming in many of the towns and cities of both the lesser and the larger rivers. In the town that I knew best, thirty years ago only a few ventured upon the water, and they were the fishermen or rivermen who had not much to do with the community life; now the steam or gasolene launch is making these streams highways of pleasure, and so is bringing them within the daily life of thousands. Waiting for a boat in St. Louis one beautiful summer morning on the quay, where in Paris I should have found the book-stalls, I saw a Pullman train just starting for New York, and at the water's edge under the stately bridge one tramp "barbering" another. But, reading the morning paper, I found by chance that back in the city there was one man at least, a teacher and artist, who had the old-time French feeling for the grieving river. It was dark before I found him, after my day on a steamboat whose most important passenger, pointed out to me with some apparent pride by the old-time captain, was a brewer, author of a brew more famous in those parts than the artist's river pictures which I saw by candle-light that night in his schoolroom. The artist had his river studio upon one of the beautiful cliffs which La Salle must have seen when he came out of the Illinois into the Mississippi. And it was within a few miles of that studio, it may be added, that I found, too, one noteworthy exception to Mr. Hamlin Garland's statement concerning riparian architecture. These are hopeful intimations succeeding the fading of the last traces in that region of the old French days, traces which I found a few hours' journey below St. Louis, in the village of Prairie du Rocher (locally pronounced Prary de Roosh); for Cahokia, where I stopped first, had no mark of the French regime except the "congregation," which was, as the priest told me, two hundred years old. The village had no distinctiveness. But Prairie du Rocher had its own atmosphere and charm. French skies never produced a more glorious August sunset than I saw through the Corot trees of that village, which stands or reclines beneath the cliffs and looks off toward the river that has receded far to the westward. I tried to find the old French records of which I had heard, but there was a new priest who knew not the French; yet I did not need them to assure me that the French had been there. At dawn, after such a peaceful night as one might have in upper Carcasonne, I found my way to the river near which are the ruins of Fort Chartres--all that is left of the greatest French fortress in the Mississippi Valley, the last to yield to man and the last to surrender to nature. The town, Nouvelle Chartres, with all its color and gayety, has become a corn field, and only the magazine of the fort remains, hidden, a gunshot from the river, among the weeds, bushes, vines, and trees.