The Front Yard, and Other Italian StoriesWoolson, Constance Fenimore
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The Front Yard, and Other Italian Stories
Woolson, Constance Fenimore
Americans -- Italy -- Fiction; Italy -- Social life and customs -- Fiction; Short stories, American
"My dear, pray consider," said Lady Kay to her husband; "if any one _is_
hidden, it is some desperate character--"
But the Englishman and Peter were already gone, and the ladies were left
with the doctor, who, comprehending everything quickly, locked the last
door, and then hurried back to the cook. Old Giorgio's mind was now
wandering; he muttered incoherently, and seemed to be suffering greatly.
The gondolier, his head enveloped in wet towels, was lying in a stupor
on one of the sofas. Z. Pelham quietly tied up his own sprained ankles
with a portion of the torn sheet, and then assisted with much
intelligence in the making of the bandages which the doctor needed for
Giorgio.
Sir William, Peter, and the two men from outside began with the kitchen;
no one. The pantries and store-rooms; no one. The supper-room; no one.
The bedrooms; no one. The anterooms and small drawing-room; no one. As
the whole house was still brightly lighted, this did not take long. They
now crossed to four rooms on the north side; no one. Then came a large
store-room for linen. This was not lighted, so they took in a lamp; no
one.
"There's a second door here," said Sir William, perceiving one of those
masked flat portals common in Italy, which are painted or frescoed so
exactly like the wall that they seem a part of it.
"It opens into a little recess only a foot deep," said Peter, going on
with the lamp to the second store-room. "No one could possibly hide
there. Now after we have finished on this side, there is only the
wood-room left; that is off by itself in a wing."
The Englishman had accompanied his host. But having a strong bent
towards thoroughness, he was not satisfied, and he quietly returned
alone and opened that masked door. There, flattened against the wall,
not clearly visible in the semi-darkness, was the outline of a woman's
figure. His exclamation brought back the others with the lamp. It was
Carmela.
She stood perfectly still for an instant or two, so motionless, and with
such bright eyes staring at them, that she looked like a wax figure.
Then she sprang from her hiding-place and made a swift rush down the
corridor towards the outer door. They caught her. She fought and
struggled dreadfully, still without a sound. So frantic were her
writhings that her apron and cap were torn away, and the braids of her
hair fell down and finally fell off, leaving only, to Peter's
astonishment, a few locks of thin white hair in their place. It took the
four men to hold her, for she threw herself from side to side like a
wild-cat; she even dragged the four as far as the anteroom nearest the
drawing-room in her desperate efforts to reach that outer door. But
here, as she felt herself at last over-powered, a terrible shriek burst
from her, her face became distorted, her eyes rolled up, and froth
appeared on her lips.
The shriek, an unmistakably feminine one, had brought the doctor and two
ladies from the drawing-room.
Public-domain text, read in full here on John Shaqi.
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