The Front Yard, and Other Italian StoriesWoolson, Constance Fenimore
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The Front Yard, and Other Italian Stories
Woolson, Constance Fenimore
Americans -- Italy -- Fiction; Italy -- Social life and customs -- Fiction; Short stories, American
She was, as he had said, a beautiful woman. Yet at home there were still
those who would have dissented from this opinion, as, secretly, her aunt
dissented. She was of about medium height, with the form of a Juno. She
had a rich complexion, slowly moving eyes of deep brown, and very thick,
curling, low-growing hair of a bright gold color, which showed a warmer
reddish tinge in the light. She was the personification of healthy life
and vigor, but not of the nervous or active sort; of the reflective.
Wherever the sun touched her it struck a color: whether the red of cheek
or lip, or the beautiful tint of her forehead and throat, which was not
fair but clear; whether the brown of her eyes, or the gold of eyebrows,
eyelashes, and the heavy, low-coiled hair. Her features were fairly
regular, but not of the pointed type; they were short rather than long,
clearly, almost boldly, outlined. Her forehead was low; her mouth not
small, the lips beautifully cut. She was attired in black velvet--she
affected rich materials--and as she talked she twisted and untwisted a
string of large pearls which hung loosely round her throat and down upon
the velvet of her dress.
"Mr. Lenox does not have to imagine much, after all," observed Mr. Blake
in his slow way to Mrs. Marcy. "In velvet, with those pearls, she does
very well as it is."
"They are only Roman beads," said Claudia. "I don't know what you mean,
of course."
"I had been telling Mr. Blake that they say that if you had a green
velvet, with those big sleeves, you know, and your hair braided close to
the head, to make it look too small in comparison with the shoulders, it
would be a Bonifazio," explained the aunt.
"Your pearls are not so effective as they might be, Miss Marcy,"
continued the visitor, scanning her as she took a seat.
"I do not wear them in this way, but so." She unfastened the clasp, and
rewound the long string in three close rows, one above the other, round
her throat, above the high-coming black of her dress.
"That is better," said her critic.
"It feels like a piece of armor, so I unloosen it as soon as I can," she
answered.
Here the artist came in, hat in hand. "I am on my way home," he said.
"Good-morning, Mr. Blake. I have only stopped to ask about our
expedition this afternoon, Mrs. Marcy."
"Oh, I suppose we shall go," answered that lady, "the day is so fine.
How are they at home this morning, Mr. Lenox?"
"Elizabeth is quite well, thanks; Theocritus as usual. Shall I order
gondolas, then?"
"If you will be so good; at four. Mr. Blake will, I hope, go with us."
And then Mr. Lenox bowed, and withdrew.
"Does the--the idyllic personage accompany us?" asked the gentleman in
the easy-chair.
"It is only a child appended to the name," said Claudia, laughing. "For
some reason Mrs. Lenox always pronounces it in full; she could just as
well call him Theo."
Public-domain text, read in full here on John Shaqi.
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