Fantasy fiction; Heaven -- Fiction; Hell -- Fiction; Unfinished books
At first I do not think she noticed us, perhaps throughout she scarcely
understood that anyone was there. Her hair, which was grey and
dishevelled, hung over her bare shoulders and her forehead, uncared for
and unkempt. She was lean and ghastly, and her thin fingers clasped
each other round her bony knees, from which position she never moved.
Her eyes were fixed on the floor in a steady yet unconscious gaze.
“If she doesn’t move before long I’ll poke her,” said Vestné. “We can’t
wait here all day.”
But the sound must have partly attracted her. She looked up, and
instead of looking at the speaker her eyes fell on me.
Such a look of dull despair and misery I had never seen before. It
seemed to blind her very sight and deaden all objects but itself.
Then she sighed, and the spirit beside me laughed softly. The shadow
deepened round her, and the flimsy light passed on along the wall till
it came to a rude altar having a crucifix above it. I looked at the
plain cross and noticed that the light played round it curiously. And
at last out of this light I formed a figure hanging there. It was the
woman lying in the corner whose cell this was. Helplessly, painfully,
she hung there, her eyes still dully bent on the ground. Then the
shadow fell once more, and all was left in dreary darkness, and when
next I breathed we were out in the passage once again.
“They are fulfilling the behest of Christ,” declared Vestné, idly.
“They are taking up the Cross.” And yet it seemed as if among the roofs
and rafters there still floated the old wild cry, “Too late—too late.”
“This is the women’s ward,” she remarked as we passed along. “I never
visit the men. Plucritus can take you there if you wish to go. But
being, as they say you are, simply a woman dressed as a man, I have no
compunction in bringing you here at all.”
Again the light she held had vanished.
Once more we stood within a cell, and the same pale flickering light
that haunted it was playing on the wall. Another woman lay crouching
on the damp floor, and as the light fell on her it seemed as if she
tried to catch it with her hand. Unlike the other she was never still.
Lying there when we entered, in half a second she was up, walking with
uncertain, faltering steps some little distance, then returning. She
pressed her hands against the wall, beating against it feebly as if
trying to get away. Next she moved towards the plain-cut altar and
passed her hands over it aimlessly, as if trying to find something in
the concealing gloom. Then back she came to the corner where she had
first lain and threw herself on her knees.
“I’ll find it sometime,” she cried in a clear monotone. “But the night
is so long and my dream so dark. What follows night? The next night,
and yet it seems there’s something missed out that comes between.”
The pale light flickered to the crucifix. I saw her lying there; each
sharp, uncertain movement was translated into a painful writhe.
Public-domain text, read in full here on John Shaqi.
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