Fantasy fiction; Heaven -- Fiction; Hell -- Fiction; Unfinished books
“Yes, but you know if the world loses respectability it takes on the
other thing,” Philemon remarked.
“I know. Thereby testifying to its own depravity. Now for my part, the
people on earth I most admire are those who have lost respectability
and found something truer and deeper.”
“Vestasian,” said Philemon, “you must cease, or you will be becoming,
as you said—a traitor.”
He threw his head back on the pillow.
“I am excusable. When I am in heaven I feel for the time as those in
heaven. And after all, it is not my fault that the earth is as it is.
I came almost to the level of neutrality but was bound to take a side,
and got pushed by an unforeseen event to the apex.”
“Tell me further of Philemon,” said I.
“What of him? There is nothing further to tell, except that he has done
his little toward keeping others out of heaven.”
“How so?”
“Well, the people who patronised him and had their shoes charitably
repaired at his little shed naturally would not care to associate with
him here any more than on the earth. They would say he smelled of
leather and begged to be excused. They might join the elements with
his wife, or come to the exclusive cells of hell. But to get there one
needs a rather higher order of character. It isn’t every duffer who
gets to us any more than to heaven.”
“I agree with you.”
“You see,” he went on dreamily, his voice having sunk to a sweet
monotone, “every man worth calling a man, or woman for that matter,
has his little back parlour. Some call it their conscience. It’s a
little empty dark place at first with no real light in it, for the
backyard wall is very high. And after a time furniture begins to appear
in it. An armchair grows—a kind of dentist arrangement, which brings
no comfort when he sits in it. And then a table, which holds just the
little things he doesn’t want to see. The carpet is nothing but a
worn-out mat that shews strange stains upon the floor. And then there
is the cupboard. He keeps the door shut if he can. The shelves are
so dusty, the smell so musty, the skeleton so real. And the fire is
a very funny fire. In winter the flames are icy cold and freeze the
marrow of his bones, and in summer the fire is still there, raging hot
and strong. It’s a very shabby little back parlour, even though it
is built in the centre of a king’s palace. And the owner isn’t fond
of going into it—because there’s nothing there of which he can be
proud. Moreover, he can never take anyone in with him, not even his
wife—there’s only room for one. Besides, if he could get his wife in
it wouldn’t be a back parlour any longer. It would be a little homely
kitchen—the sweetest of all things. Besides, she has her little back
parlour too, and perhaps all her time is spent in trying to sweep away
the cobwebs that will not go. And all through life the little parlour
remains, and as much as possible they keep out of it and try to think
it isn’t there. And then one of two things will happen. One day he will
Public-domain text, read in full here on John Shaqi.
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