The Function of the Poet, and Other EssaysLowell, James Russell
History
The Function of the Poet, and Other Essays
Lowell, James Russell
Literature -- History and criticism
hearty contempt for the ordinary objects of human ambition, he could yet
bring himself for the sake of them to be the obsequious courtier of
three royal strumpets. How should he be happy who had defined happiness
to be "the perpetual possession of being well deceived," and who could
never be deceived himself? It may well be doubted whether what he
himself calls "that pretended philosophy which enters into the depth of
things and then comes gravely back with informations and discoveries
that in the inside they are good for nothing," be of so penetrative an
insight as it is apt to suppose, and whether the truth be not rather
that to the empty all things are empty. Swift's diseased eye had the
microscopic quality of Gulliver's in Brobdingnag, and it was the
loathsome obscenity which this revealed in the skin of things that
tainted his imagination when it ventured on what was beneath. But with
all Swift's scornful humor, he never made the pitiful mistake of his
shallow friend Gay that life was a jest. To his nobler temper it was
always profoundly tragic, and the salt of his sarcasm was more often, we
suspect, than with most humorists distilled out of tears. The lesson is
worth remembering that _his_ apples of Sodom, like those of lesser men,
were plucked from boughs of his own grafting.
But there are palliations for him, even if the world were not too ready
to forgive a man everything if he will only be a genius. Sir Robert
Walpole used to say "that it was fortunate so few men could be prime
ministers, as it was best that few should thoroughly know the shocking
wickedness of mankind." Swift, from his peculiar relation to two
successive ministries, was in a position to know all that they knew, and
perhaps, as a recognized place-broker, even more than they knew, of the
selfish servility of men. He had seen the men who figure so imposingly
in the stage-processions of history too nearly. He knew the real Jacks
and Toms as they were over a pot of ale after the scenic illusion was
done with. He saw the destinies of a kingdom controlled by men far less
able than himself; the highest of arts, that of politics, degraded to a
trade in places, and the noblest opportunity, that of office, abused for
purposes of private gain. His disenchantment began early, probably in
his intimacy with Sir William Temple, in whom (though he says that all
that was good and great died with him) he must have seen the weak side
of solemn priggery and the pretension that made a mystery of statecraft.
In his twenty-second year he writes:
Off fly the vizards and discover all:
How plain I see through the deceit!
How shallow and how gross the cheat!
* * * * *
On what poor engines move
The thoughts of monarchs and designs of states!
What petty motives rule their fates!
I to such blockheads set my wit!
I damn such fools! go, go, you're bit!
Public-domain text, read in full here on John Shaqi.
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