The Function of the Poet, and Other EssaysLowell, James Russell
History
The Function of the Poet, and Other Essays
Lowell, James Russell
Literature -- History and criticism
Plutarch is perhaps the most eminent example of how strong a hold simple
good humor and good sense lay upon the affections of mankind. Not a man
of genius or heroism himself, his many points of sympathy with both make
him an admirable conductor of them in that less condensed form which is
more wholesome and acceptable to the average mind. Of no man can it be
more truly said that, if not a rose himself, he had lived all his days
in the rose's neighborhood. Such is the delightful equableness of his
temperament and his singular talent for reminiscence, so far is he
always from undue heat while still susceptible of so much enthusiasm as
shall not disturb digestion, that he might seem to have been born
middle-aged. Few men have so amicably combined the love of a good dinner
and of the higher morality. He seems to have comfortably solved the
problem of having your cake and eating it, at which the ascetic
interpreters of Christianity teach us to despair. He serves us up his
worldly wisdom in a sauce of Plato, and gives a kind of sensuous relish
to the disembodied satisfactions of immortality. He is a better
Christian than many an orthodox divine. If he do not, like Sir Thomas
Browne, love to lose himself in an _O, altitudo!_ yet the sky-piercing
peaks and snowy solitudes of ethical speculation loom always on the
horizon about the sheltered dwelling of his mind, and he continually
gets up from his books to rest and refresh his eyes upon them. He seldom
invites us to alpine-climbing, and when he does, it is to some warm nook
like the Jardin on Mont Blanc, a parenthesis of homely summer nestled
amid the sublime nakedness of snow. If he glance upward at becoming
intervals to the "primal duties," he turns back with a settled
predilection to the "sympathies that are nestled at the feet like
flowers." But it is within his villa that we love to be admitted to him
and to enjoy that garrulity which we forgive more readily in the mother
of the muses than in any of her daughters, unless it be Clio, who is
most like her. If we are in the library, he is reminded of this or that
passage in a favorite author, and, going to the shelves, takes down the
volume to read it aloud with decorous emphasis. If we are in the
_atrium_ (where we like him best) he has an anecdote to tell of all the
great Greeks and Romans whose busts or statues are ranged about us, and
who for the first time soften from their marble alienation and become
human. It is this that makes him so amiable a moralist and brings his
lessons home to us. He does not preach up any remote and inaccessible
virtue, but makes all his lessons of magnanimity, self-devotion,
patriotism seem neighborly and practicable to us by an example which
associates them with our common humanity. His higher teaching is
theosophy with no taint of theology. He is a pagan Tillotson
disencumbered of the archiepiscopal robes, a practical Christian
unbewildered with doctrinal punctilios. This is evidently what commended
Public-domain text, read in full here on John Shaqi.
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