To sum up: in ancient America the human form was employed to represent quadripartite division and the complete finger-and-toe count=20, and as such became emblematic of the quadriform plan of universal application. Owing to a variety of circumstances and suggestions arising from language, the figure of a quadruped=ocelot was adopted as a symbol of the State by some tribes and the form of an eagle by others, the inference being that the ocelot was identified with the cult of the earth and night and the eagle with the cult of heaven and day. While the ocelot and eagle occur in the codices as representative of two distinct classes or divisions of the State, there are some interesting and suggestive representations, to which I shall revert, of figures combining the form and claws of an ocelot with the wings and head of a bird, evidently symbolical of a union of the Above and Below, or Heaven and Earth. Having furnished the explanation that ancient America affords of the origin of the primitive employment of the human body, the quadruped and bird in allegory and the assignment of their various parts to points in space, it is to Chinese scholars that I appeal for enlightenment as to the origin and development of the same idea in China. To me one point of difference between the Chinese and American list is very striking. In America although the navel was also regarded as a symbol, the heart, associated with the Middle, had obviously been recognized as the centre or seat of life, and the tearing out of the heart had become the salient feature in human sacrifices. In China the stomach is assigned to the Middle, and death by disembowelling was customary.