The Fundamental Principles of Old and New World Civilizations: A Comparative Research Based on a Study of the Ancient Mexican Religious, Sociological, and Calendrical SystemsNuttall, Zelia
Religion
The Fundamental Principles of Old and New World Civilizations: A Comparative Research Based on a Study of the Ancient Mexican Religious, Sociological, and Calendrical Systems
If, after mustering this close array of analogies, we next examine the
glyph cib, we find that it exhibits the seed and radicle in the centre of
a square, three sides of which are decorated with what Doctor Brinton has
termed the “pottery decoration(?).” This consists of short lines, such as
are employed in Mexican pictography, in the well-known sign for tlalli, or
land, which is usually surrounded on three sides by a fringe, presumably
symbolizing plants and grass, a “fringe” of vegetation and verdure. In the
glyph cib, already referred to, I am inclined to see but a cursive
rendering of the same idea, with the seed and radicle in the centre and
the fringed border barely indicated by a few short lines. The same border
is found repeated on three sides of the head of a frequently recurring
personage whom Doctor Schellhas designates as “God C, of the Ornamented
face.” In his extremely valuable work, Die Göttergestalten der
Mayahandschriften, this careful investigator records the various
combinations in which this God C occurs in the Codices and impartially
weighs the possibilities of its meaning. Geheimrath Förstemann has made
the important observation that the figure of God C occurs in combination
with the day-sign, chuen, of the Maya calendar, which coincides with the
Mexican day-sign azomatli=monkey.
I am unable to agree with my venerable friend in identifying God C, with
Polaris. As Doctor Schellhas rightly observes, the fact that God C is
found in combination with the signs of all the four quarters disproves an
identification with Polaris. What is more, God C is frequently represented
as receiving in his mouth drops of liquid falling from a cursive vase
placed above his head—a detail which clearly connects him with earth and
the “earth-wine.” In the Mexican MSS. we find the monkey intimately
connected with the octli or earth-wine gods as, for instance, in the “Lyfe
of the Indians.” I therefore reserve a more detailed discussion of this
subject for my notes on this MS. and return to the glyphs caban and kan or
can.
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