The Further Adventures of Mr. Verdant Green, an Oxford Under-Graduate: Being a Continuation of "The Adventures of Mr. Verdant Green, an Oxford Freshman"Bede, Cuthbert
History
The Further Adventures of Mr. Verdant Green, an Oxford Under-Graduate: Being a Continuation of "The Adventures of Mr. Verdant Green, an Oxford Freshman"
Bede, Cuthbert
University of Oxford -- Fiction
"Photograph" is a general favourite, but is found not to agree with the
three first scenes, although much ingenuity is expended in endeavouring
to make them fit the word. The Curate makes a headlong rush at the word
"Daguerreotype," and is confident that he has solved the problem, until
he is informed that it is a word of more than three syllables. Charles
Larkyns has already whispered the word to Mary Green; but they keep
their discovery to themselves. At length, the Revd. Josiah Meek, in a
moment of inspiration, hits upon the word, and proclaims it to be
CALOTYPE ("Call--oh!--type;") upon which Mr. Alfred Brindle declares to
Miss Fanny Green that he had fancied it must be that, all along, and, in
fact, was just on the point of saying it: and the actors, coming in in a
body, receive the violet-crowns and laurel-wreaths of praise as the meed
of their exertions. Perhaps, the Miss Honeywoods and Mr. Bouncer
receive larger crowns than the others, but Mr. Verdant Green gets his
due share, and is fully satisfied with his first appearance on "the
boards."
[Illustration]
Dancing then succeeds, varied by songs from the young ladies, and
discharges of chromatic fireworks from the fingers of Miss Waters, for
whom Charles Larkyns does the polite, in turning over the leaves of her
music. Then some carol-singers come to the Hall-door, and the bells of
the church proclaim, in joyful peals, the birth of the New Year;--a new
year of hopes, and joys, and cares, and griefs, and unions, and
partings;--a new year of which, who then present shall see the end? who
shall be there to welcome in its successor? who shall be absent, laid in
the secret places of the earth? Ah, _who_? For, even in the midst of
revelry and youth, the joy-peals of those old church bells can strike
the key-note of a wail of grief.
Public-domain text, read in full here on John Shaqi.
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