Italy -- History -- 1815-1870 -- Fiction; Italy -- History -- Revolution of 1848 -- Fiction; Revolutionaries -- Fiction
Another burst of laughter came from the garden. Gemma rose and opened
the window. Zita, with a gold-embroidered scarf wound coquettishly
round her head, was standing in the garden path, holding up a bunch
of violets, for the possession of which three young cavalry officers
appeared to be competing.
“Mme. Reni!” said Gemma.
Zita's face darkened like a thunder-cloud. “Madame?” she said, turning
and raising her eyes with a defiant look.
“Would your friends mind speaking a little more softly? Signor Rivarez
is very unwell.”
The gipsy flung down her violets. “Allez-vous en!” she said, turning
sharply on the astonished officers. “Vous m'embetez, messieurs!”
She went slowly out into the road. Gemma closed the window.
“They have gone away,” she said, turning to him.
“Thank you. I--I am sorry to have troubled you.”
“It was no trouble.” He at once detected the hesitation in her voice.
“'But?'” he said. “That sentence was not finished, signora; there was an
unspoken 'but' in the back of your mind.”
“If you look into the backs of people's minds, you mustn't be offended
at what you read there. It is not my affair, of course, but I cannot
understand----”
“My aversion to Mme. Reni? It is only when----”
“No, your caring to live with her when you feel that aversion. It seems
to me an insult to her as a woman and as----”
“A woman!” He burst out laughing harshly. “Is THAT what you call a
woman? 'Madame, ce n'est que pour rire!'”
“That is not fair!” she said. “You have no right to speak of her in that
way to anyone--especially to another woman!”
He turned away, and lay with wide-open eyes, looking out of the window
at the sinking sun. She lowered the blind and closed the shutters, that
he might not see it set; then sat down at the table by the other window
and took up her knitting again.
“Would you like the lamp?” she asked after a moment.
He shook his head.
When it grew too dark to see, Gemma rolled up her knitting and laid
it in the basket. For some time she sat with folded hands, silently
watching the Gadfly's motionless figure. The dim evening light, falling
on his face, seemed to soften away its hard, mocking, self-assertive
look, and to deepen the tragic lines about the mouth. By some fanciful
association of ideas her memory went vividly back to the stone cross
which her father had set up in memory of Arthur, and to its inscription:
“All thy waves and billows have gone over me.”
An hour passed in unbroken silence. At last she rose and went softly out
of the room. Coming back with a lamp, she paused for a moment, thinking
that the Gadfly was asleep. As the light fell on his face he turned
round.
“I have made you a cup of coffee,” she said, setting down the lamp.
“Put it down a minute. Will you come here, please.”
He took both her hands in his.
Public-domain text, read in full here on John Shaqi.
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