The volume of sound (stern and savage to the last degree, but yet full
of a weird, unearthly melody) fills the whole air like the rush of a
storm; and now, the Cossack blood being thoroughly heated, the play
suddenly turns to earnest. The nearest dancer, a tall, handsome lad with
a heavy black moustache, suddenly fells his next neighbor with a
tremendous blow between the eyes, which Heenan himself might have
applauded. The next moment the conqueror falls in his turn before a
crushing right-hander from his _vis-à-vis_; and in an instant the whole
band are at it hammer and tongs--apparently without "sides," order, or
object of any kind, except the mere pleasure of thrashing and being
thrashed. There is little science among the combatants, who deliver
their blows in a slashing, round-hand style that would agonize a
professional "bruiser"; but every blow dealt by those brawny arms leaves
its mark, and the whole company speedily look as if they had been taking
part in an election.
"By Jove!" says Smoothbore, with considerable feeling; "it does one good
to see a real good fight so far away from home!"
"You'd see plenty such in Central Russia," answer I. "Two villages often
turn out to fight, just as we'd turn out to play cricket.[M] They call
it 'Koolatchni boi.'"
[Footnote M: I remember one such battle near Moscow, in October, 1809,
in which more than a thousand men took part.]
But Sinbad, being a man of humane temper, thinks that the sport has gone
far enough, and appeals to the Ataman to stop it. One word from the
all-powerful chief suffices to part the combatants; and, a messenger
being despatched for some corn-whiskey, they are speedily chinking
glasses as merrily as if nothing had happened. I am standing
unsuspectingly in their midst when suddenly the whole company rush upon
me as one man, and I find myself lifted in their arms and tossed bodily
into the air six times in succession, amid yells of applause, to which
all the previous uproar is as nothing.[N] Next they pounce upon Allfact,
who, in his thirst for new ideas, submits readily enough; but Sinbad and
Smoothbore take to their heels at once, and are with difficulty pacified
by our host and his venerable father, who are looking on from the
doorway.
[Footnote N: This singular compliment (a universal one among the
Cossacks) is probably a relic of the old custom of raising their
"Kosbevoi," or head chief, on a shield when elected.]
This closes the entertainment, for it is now nearly midnight, and we are
to start again at sunrise. We take a cordial leave of our new friends,
and depart, laden with bunches of grapes which are somewhat difficult to
carry conveniently.
"I wonder why they tossed me up like that?" muses Allfact, as we grope
our way down to the shore.
"Why!" answers Smoothbore. "Why, to take a _rise_ out of you, to be
sure."
DAVID KER.
DRIFT-WOOD.
THE WILLS OF THE TRIUMVIRATE.
Public-domain text, read in full here on John Shaqi.
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