"No, indeed. It was just for bread. Aunty was a 'second old woman'--and
they got me in for 'utility,' as they call it. There was no one to care
for me, and I was glad to earn an honest living; but like it! Never!"
"You say there was no one to care for you?" said Harding gently. "Had
you no friends--no parents?"
Jane reddened painfully, and the sad look came quickly into her face.
"My mother is dead, you see," she replied, with hesitancy,
"and--and--I'd rather not speak of this any more, please."
"Surely," he exclaimed hastily, "I've no right to catechize you. Pray
forgive my asking at all. I ought to have been more careful. I know what
trouble is, and how to feel for those who suffer."
She looked at him earnestly. "You have suffered yourself, then--they
were right when they said yours had not been a happy life?"
"I have no right to whine--but happy--no, far from it."
Jane's lovely face took on its softest and tenderest expression.
"They said that lately you have been happier--gayer than ever
before--and that people liked you--oh, ever so much better than they
used to. Why is it that people like those the best who seem to need help
and sympathy the least?"
Jane leaned from the window as she spoke and toyed with some running
vine that clambered to the casement. The grace and beauty of her figure
were made conspicuous by the movement, and Harding paused a moment
before he replied:
"People like to be cheerful, I suppose, and people like others to be
like themselves, I know. It is true that I have been unhappy--that my
life has been morose and solitary. How much this has been my own fault
and how much that of others, need not be said. But it is also true that
of late I have been far happier. Shall I tell you why?"
His voice was deep and earnest, and something in his eyes made the girl
crimson again, and turn her own to the distant hills.
"If you please," she faltered, in her low, musical contralto.
"Shall I tell you too why I have built that cottage you are looking at?"
he went on with increasing earnestness. "It is because it has been my
hope, my prayer, that this sad, lonely life of mine was nearly over. It
is because I have believed that after much pain, and doubt, and
bitterness my trust in men might be brought back through my love for a
woman. The cottage--it is for you, Jane. I love you, Jane. Do you hear
me? From the moment I saw you, I loved you. I resolved to ask you to
marry me. Jane, will you do so?"
While he spoke the color had been fading steadily from her face, and
when he stopped the girl was ashy pale. He looked at her anxiously and
impatiently.
"I--I--am--so sorry," she muttered at last, as if each word were a
separate pain.
"Sorry? God! Why?" Then with swift suspicion, "Jane, do you care
for--are you engaged to some one?"
She shook her head mournfully.
Public-domain text, read in full here on John Shaqi.
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