The Gallery of Portraits: with Memoirs. Volume 1 (of 7)Malkin, Arthur Thomas
History
The Gallery of Portraits: with Memoirs. Volume 1 (of 7)
Malkin, Arthur Thomas
Biography
“Mr. Fox united, in a most remarkable degree, the seemingly repugnant
characters of the mildest of men and the most vehement of orators. In
private life he was gentle, modest, placable, kind, of simple manners,
and so averse from dogmatism, as to be not only unostentatious, but even
something inactive in conversation. His superiority was never felt but
in the instruction which he imparted, or in the attention which his
generous preference usually directed to the more obscure members of the
company. The simplicity of his manners was far from excluding that
perfect urbanity and amenity which flowed still more from the mildness
of his nature, than from familiar intercourse with the most polished
society of Europe. The pleasantry perhaps of no man of wit had so
unlaboured an appearance. It seemed rather to escape from his mind, than
to be produced by it. He had lived on the most intimate terms with all
his contemporaries distinguished by wit, politeness, or philosophy; by
learning, or the talents of public life. In the course of thirty years
he had known almost every man in Europe, whose intercourse could
strengthen, or enrich, or polish the mind. His own literature was
various and elegant. In classical erudition, which by the custom of
England is more peculiarly called learning, he was inferior to few
professed scholars. Like all men of genius, he delighted to take refuge
in poetry, from the vulgarity and irritation of business. His own verses
were easy and pleasant, and might have claimed no low place among those
which the French call _vers de société_. The poetical character of his
mind was displayed by his extraordinary partiality for the poetry of the
two most poetical nations, or at least languages of the west, those of
the Greeks and of the Italians. He disliked political conversation, and
never willingly took any part in it.
Public-domain text, read in full here on John Shaqi.
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