The Gallery of Portraits: with Memoirs. Volume 1 (of 7)Malkin, Arthur Thomas
History
The Gallery of Portraits: with Memoirs. Volume 1 (of 7)
Malkin, Arthur Thomas
Biography
Cosmo was nearly forty when he succeeded to the riches and popularity of
his father; and he had not only conducted for several years a commercial
establishment which held counting-houses in all the principal cities of
Europe and in the Levant, but had also participated in the weightier
concerns of government. The form of the Florentine constitution was then
democratical: the nobility had been long excluded from the
administration of the republic; and the citizens, though divided into
twenty-one guilds, or corporations of arts and trades, from seven of
which alone the magistracy were chosen, had, however, an equal share in
the nomination of the magistrates, who were changed every two months.
The lower corporations, owing principally to the manœuvres of Salvestro
de Medici, had risen in 1378 against the higher, demanding a still more
complete equality, and had taken the direction of the commonwealth into
their own hands; but after having raised a carder of wool to the supreme
power, and involved themselves in the evils of anarchy, convinced at
last of their own incapacity, they had again submitted to the wiser
guidance of that kind of burgher-aristocracy which they had subverted;
and that party, headed by the Albizzi and some other families of
distinction, had, ever since 1382, governed the state with unexampled
happiness and glory. The republic had been aggrandized by the important
acquisition of Leghorn, Pisa, Arezzo, and other Tuscan cities; its
agriculture was in the most prosperous condition; its commerce had
received a prodigious developement; its decided superiority in the
cultivation of literature, the sciences, and the arts, had placed it
foremost in the career of European civilization; and its generous but
wise external policy had constituted it as the guardian of the liberties
of Italy.
[Illustration:
_Engraved by C. E. Wagstaff._
LORENZO DE MEDICI.
_From a Print by Raffaelle Morghen, after a Picture by G. Vasari._
Under the Superintendance of the Society for the Diffusion of Useful
Knowledge.
_London. Published by Charles Knight, Pall Mall East._
]
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