The Gallery of Portraits: with Memoirs. Volume 1 (of 7)Malkin, Arthur Thomas
History
The Gallery of Portraits: with Memoirs. Volume 1 (of 7)
Malkin, Arthur Thomas
Biography
Cosmo is nevertheless entitled to the grateful recollections of
posterity for the efficient patronage he afforded learning and the arts,
though he evidently carried it to excess as a means of promoting his
political designs. He was profuse of favours and pensions to all who
cultivated literature or philosophy with success; he bought at enormous
prices whatever manuscripts or masterpieces of art his agents could
collect in Europe or Asia; he ornamented Florence and its environs with
splendid palaces, churches, convents, and public libraries. He died in
the seventy-fifth year of his age, just after a decree of the senate had
honoured him with the title of Father of his country, which was
subsequently inscribed on his tomb.
Lorenzo de Medici, the subject of the present memoir, was born at
Florence on the 1st of January, 1448. His father was Piero, the son and
successor of Cosmo: his mother, Lucretia Tornabuoni, a lady of some
repute, both as a patroness of learning and as a poetess. He had
scarcely left the nursery when he acquired the first rudiments of
knowledge under the care and tuition of Gentile d’Urbino, afterwards
Bishop of Arezzo. Cristoforo Landino was next engaged to direct his
education; and Argyropylus taught him the Greek language and the
Aristotelian philosophy, whilst Marsilio Ficino instilled into his
youthful mind the precepts and doctrines of Plato. The rapidity of his
proficiency was equal to the celebrity of his masters, and to the
indications of talent that he had given in childhood. Piero, who was
prevented by a precarious state of health from attending regularly to
business, rejoiced at the prospect of soon having in his own son a
strenuous and trusty coadjutor; and on the death of Cosmo, the domestic
education of Lorenzo being completed, he sent him to visit the principal
courts of Italy, in order to initiate him into political life, and to
afford him an opportunity of forming such personal connexions as might
advance the interests of the family. Piero pretended to succeed to
Cosmo’s authority, as if it had been a part of his patrimony; but the
Florentine statesmen, who thought themselves superior to him in age,
capacities, and public services, disdained to pay him the same deference
they had shown the more eminent abilities of his father. Besides, Cosmo
had taken especial care to conciliate the esteem and affection of his
countrymen. He had never refused gifts, loans, or credit to any of the
citizens, and never raised his manners or his domestic establishment
above the simplicity of common life. But Piero seemed to have no regard
for the feelings of others: he ruined several merchants by attempting to
withdraw considerable capital from commerce; he allowed his subordinate
agents to make a most profligate and corrupt monopoly of government; and
he shocked the republican notions of his countrymen by seeking to marry
Lorenzo into a princely family. These causes of discontent arrayed
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