The Gallery of Portraits: with Memoirs. Volume 1 (of 7)Malkin, Arthur Thomas
History
The Gallery of Portraits: with Memoirs. Volume 1 (of 7)
Malkin, Arthur Thomas
Biography
conveyed in letters from Louis penned by Bossuet. At length the sentence
of condemnation was obtained; but in too mild a form to satisfy
altogether the courtly party. No bull was issued. A simple brief
pronounced certain propositions to be erroneous and dangerous, and
condemned the book which contained them, without sentencing it in the
usual manner to the flames.
It is needless to say that Fenelon submitted. He published without delay
the sentence of condemnation, noting the selected propositions, and
expressing his entire acquiescence in the judgment pronounced; and
prohibited the faithful in his diocese from reading or having in their
possession his own work, which up to that moment he had defended so
manfully. Protestants, who are too apt in judging the conduct of Roman
Catholics, to forget every thing but their zeal, have raised an outcry
against his meanness and dissimulation. Fenelon was a sincere member of
a Church which claimed infallibility. We may regret the thraldom in
which such a mind was held by an authority from which the Protestant
happily is free; but the censure which falls on him personally for this
act is certainly misplaced.
The faint hopes which his friends might have cherished, that when the
storm had passed he would be restored to favour, were soon extinguished
by an event, which, whilst it closed against him for ever the doors of
the palace, secured him a place in history, and without which it is
probable that he would never have become the subject even of a short
memoir.
A manuscript which he had intrusted to a servant to copy, was
treacherously sold by this man to a printer in Paris, who immediately
put it to the press, under the title of Continuation of the Fourth Book
of the Odyssey, or Adventures of Telemachus, Son of Ulysses, with the
royal privilege, dated April 6, 1699. It was told at court that the
forthcoming work was from the pen of the obnoxious archbishop; and
before the impression of the first volume was completed, orders were
given to suppress it, to punish the printers, and seize the copies
already printed. A few however escaped the hands of the police, and were
rapidly circulated. One of them, together with a copy of the remaining
part of the manuscript, soon after came into the possession of a printer
at the Hague, who could publish it without danger.
So eager was the curiosity which the violent proceedings of the French
court had excited, that the press could hardly be made, with the utmost
exertion, to keep pace with the demand. Such is the history of the first
appearance of Telemachus.
Public-domain text, read in full here on John Shaqi.
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