The Gallery of Portraits: with Memoirs. Volume 1 (of 7)Malkin, Arthur Thomas
History
The Gallery of Portraits: with Memoirs. Volume 1 (of 7)
Malkin, Arthur Thomas
Biography
In the beginning of the 18th century we find him engaged at once in
controversy and politics. The revival of the old dispute with the
Jansenists, to whom he was strongly opposed, obliged him to take up his
pen; but in using it he never forgot his own maxim, that “rigour and
severity are not of the spirit of the Gospel.” For a knowledge of his
political labours we are indebted to his biographer, the Cardinal de
Bausset, who first published his letters to the Duke de Beauvilliers on
the subject of the war which followed the grand alliance in the year
1701. In them he not only considers the general questions of the
succession to the Spanish monarchy, the objects of the confederated
powers, and the measures best calculated to avert or soften their
hostility, but even enters into details of military operations,
discusses the merits of the various generals, stations the different
armies, and sketches a plan of the campaign. Towards the close of the
war he communicated to the Duke de Chevreuse heads of a very extensive
reform in all the departments of government. This reform did not suppose
any fundamental change of the old despotism. It was intended, doubtless,
for the consideration of the Duke of Burgundy, to whose succession all
France was looking forward with sanguine hopes, founded on the
acknowledged excellence of his character, which Fenelon himself had so
happily contributed to form. But amongst the other trials which visited
his latter days, he was destined to mourn the death of his pupil.
Fenelon did not long survive the general pacification. After a short
illness and intense bodily suffering, which he seems to have supported
by calling to mind the sufferings of his Saviour, he died February 7th,
1715, in the sixty-fourth year of his age. No money was found in his
coffers. The produce of the sale of his furniture, together with the
arrears of rent due to him, were appropriated, by his direction, to
pious and charitable purposes.
The calumnies with which he was assailed during the affair of Quietism
were remembered only to the disadvantage of their authors. The public
seem eventually to have regarded him as a man who was persecuted because
he refused to be a persecutor; who had maintained, at all hazards, what
he believed to be the cause of truth and justice; and had resigned his
opinion only at that moment when conscience required the sacrifice.
Universal homage was paid by his contemporaries to his talents and
genius. In the grasp and power of his intellect, and in the extent and
completeness of his knowledge, none probably would have ventured to
compare him with Bossuet; but in fertility and brilliancy of
imagination, in a ready and dexterous use of his materials, and in that
quality which his countrymen call esprit, he was supposed to have no
superior. Bossuet himself said of him “Il brille d’esprit, il est tout
esprit, il en a bien plus que moi.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account