The Gallery of Portraits: with Memoirs. Volume 1 (of 7)Malkin, Arthur Thomas
History
The Gallery of Portraits: with Memoirs. Volume 1 (of 7)
Malkin, Arthur Thomas
Biography
metaphysics, medicine, and etymology; and perfectly at home in all the
details of architecture, music, and law. He was well acquainted, too,
with most of the modern languages, and familiar with their most recent
literature. Nor was it at all extraordinary to hear the great
mechanician and engineer detailing and expounding, for hours together,
the metaphysical theories of the German logicians, or criticising the
measures or the matter of the German poetry. * * *
“It is needless to say, that with those vast resources, his conversation
was at all times rich and instructive in no ordinary degree. But it was,
if possible, still more pleasing than wise, and had all the charms of
familiarity, with all the substantial treasures of knowledge. No man
could be more social in his spirit, less assuming or fastidious in his
manners, or more kind and indulgent towards all who approached him.
* * * His talk, too, though overflowing with information, had no
resemblance to lecturing, or solemn discoursing; but, on the contrary,
was full of colloquial spirit and pleasantry. He had a certain quiet and
grave humour, which ran through most of his conversation, and a vein of
temperate jocularity, which gave infinite zest and effect to the
condensed and inexhaustible information which formed its main staple and
characteristic. There was a little air of affected testiness, and a tone
of pretended rebuke and contradiction, which he used towards his younger
friends, that was always felt by them as an endearing mark of his
kindness and familiarity, and prized accordingly, far beyond all the
solemn compliments that ever proceeded from the lips of authority. His
voice was deep and powerful; though he commonly spoke in a low and
somewhat monotonous tone, which harmonized admirably with the weight and
brevity of his observations, and set off to the greatest advantage the
pleasant anecdotes which he delivered with the same grave tone, and the
same calm smile playing soberly on his lips. There was nothing of
effort, indeed, or of impatience, any more than of pride or levity, in
his demeanour; and there was a finer expression of reposing strength,
and mild self-possession in his manner, than we ever recollect to have
met with in any other person. He had in his character the utmost
abhorrence for all sorts of forwardness, parade, and pretension; and
indeed never failed to put all such impostors out of countenance, by the
manly plainness and honest intrepidity of his language and deportment.
Public-domain text, read in full here on John Shaqi.
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